Hail Caesar! Follows a day in the life of Eddie Mannix, a Hollywood fixer for Capitol Pictures in the 1950s, who cleans up and solves problems for big names and stars in the industry. But when studio star Baird Whitlock disappears, Mannix has to deal with more than just the fix.Written by
The real Eddie Mannix died in 1963. Robert Taylor and James Stewart were among his pallbearers. See more »
At one point, the narrator refers to the area depicted during the Roman legion marches as "Palestine". It was known as "Judea" in the First Century C.E. It didn't acquire the name "Palestina" until the Second Century C.E., under the Roman emperor Hadrian. This may be intentional on the part of the Coen Brothers, to show how sloppy the film-making *in* the film was. See more »
Ancient Rome. Twelve years into the rule of Tiberius, ruler maximus. Rome's legions are masters of the world, the stomp of its sandals heard from the Iberian peninsula in the west through the halls of the great library of Alexandria in the east. As oppressed people everywhere writhe under the Roman lash, freeman and vassal are united in one compulsory worship. The emperor, Caesar, is Godhead, lord of every man's body and spirit. For those who will not submit, the galleys, the arenas, even ...
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At the end of the closing credits there is a disclaimer that reads "This motion picture contains no visual depiction of the godhead." See more »
Written by Nikolai Kedrov Sr. (as N. Kedrov-Elder)
Performed by Ascension Church Choir (Maloe), Moscow, Fyodor Stroganov (as F. Stroganov) & Svetlana Serafimovich (as S. Serafimovich)
Courtesy of Classical Records, Moscow See more »
My cohort fell asleep during Hail, Caesar!. Sure, it was a late showing, but I am sure in theaters around the country people are nodding off or walking out of this one. Let them. Caesar! barely has a discernible plot, profound themes, or even a convenient ah-ha moment. But we should be used to this by now, this is typical Cohen brothers' affair. Caesar! is a waltz with insanity, sacrificing many crutches that helps audiences engage. This film will not garner popular approval, but it is still an accomplishment.
If there is a plot in Hail! Caesar, Eddie Mannix is certainly at its center. This Catholic studio head must right the ship or face catastrophe. The film is a 48 hour window of insight into a Hollywood studio, the setting for Mannix's everyday mad life. What he experiences is basically a relentless barrage of vignettes and personalities. There is a western, musicals, a costume drama, and of course the historical epic itself. Each has its style, director, crew, and most importantly its stars. The sheer density of material is somewhat overwhelming. All display are equally elaborate, including the cast, which is recognizable down to the bit parts. This is one of the best ensemble performances in recent memory. Tatum and McDormand are my personal favorite parts, but all are enjoyable. Additionally, I would bet this is the first Oscar candidate for cinematography. What will disappoint some audiences is the lack of follow up or exploration. Ideas and themes are introduced and later simply hinted at. Premium cameos are often utilized just once, lucky characters thrice at best. Some may think parody requires more extensive analysis. However, Hail! Caesar is ripe with commentary, it just never stops to take a breath. The humor is not rooted in scrutiny, rather in the absurdism and frantic pace. This style does not even prevent momentary poignancy. Hail! Caesar's climax is a parody of sappy overwrought moments of clarity, but there is a sense of a genuine moral, a true stance on faith, movies, and reality. I will certainly rewatch this film again. Remember, The Big Lebowski was not a hit on arrival. I fear comparing the two, but I feel both were smarter, more extensive, and subtly funny in ways not obviously apparent. I might just be trying too hard to hawk this movie in order to convince myself, but I sincerely think it is worth a viewing for those who have previously appreciated the Cohen Brothers body of works.
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