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The Beguiled (2017)

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The unexpected arrival of a wounded Union soldier at a girls school in Virginia during the American Civil War leads to jealousy and betrayal.

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(based on the novel by), (based on the screenplay by) | 2 more credits »
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385 ( 2)
4 wins & 20 nominations. See more awards »
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Cast

Cast overview:
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Amy
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Captain
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Confederate Soldier
Joel Albin ...
Cavalry Man
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Storyline

Three years into the senseless American Civil War, in 1864, the dilapidated mansion of Miss Martha Farnsworth's Seminary for Young Ladies is still running, occupied by the matriarch, a teacher and five students in Spanish moss-draped Virginia. However, when a young student stumbles upon Corporal John McBurney, a wounded Union deserter on the verge of death, the already frail balance of things will be disrupted, as the hesitant headmistress decides to take him in to heal from his injury. Little by little, as the unwelcome guest arouses an uneasy sexual excitation among the women of the secluded boarding school, it is not before long that they will find themselves competing for the alluring man's favour. Undoubtedly, this handsome devil is a manipulator, nevertheless, will the ladies stay forever beguiled by his charm? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

Innocent, until betrayed.

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for some sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

30 June 2017 (USA)  »

Also Known As:

El seductor  »

Filming Locations:

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Box Office

Budget:

$10,500,000 (estimated)

Opening Weekend USA:

$229,292, 25 June 2017, Limited Release

Gross USA:

$10,576,669

Cumulative Worldwide Gross:

$15,871,398, 13 August 2017
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Nicole Kidman and Colin Farrell began filming this film only few weeks after they finished working together on The Killing of a Sacred Deer (2017). Both films would go on to compete for the Palme d'Or at the 2017 Cannes Film Festival and would win awards in the official competition ("The Beguiled" won the Directing award for Sofia Coppola while "The Killing of a Sacred Deer" shared the Screenplay award with Lynne Ramsay's You Were Never Really Here (2017)). See more »

Goofs

Corporal McBurney sets about sharpening a tool on a whetstone wheel in the garden during his rehabilitation. However, he spins the wheel towards himself as he begins to get it going. This is incorrect. The wheel should be spun away from the user, so that the tool "skims" over the surface, and doesn't have a chance of digging into the wheel and jamming the tool into the user. See more »

Quotes

[first lines]
Amy: [finding some mushrooms] Here you go.
John McBurney: [sitting wounded by a tree] Shh. Are you frightened?
Amy: No. Yes.
John McBurney: Uh, so am I.
Amy: Can you move at all?
John McBurney: Uh... Uh, I'll try, if there's some place to go.
See more »

Connections

Referenced in Good Morning Britain: Episode dated 20 April 2017 (2017) See more »

Soundtracks

Aura Lea
Music by George R. Poulton
Lyrics by W.W. Fosdick (as William Whiteman Fosdick)
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User Reviews

 
The Beguiled is a yawn-fest. Or, act two is a great time for a nap
8 July 2017 | by See all my reviews

Honestly, I can appreciate a slow building drama that takes its time to build characters. Unfortunately, this remake of the film gives us very little in the way of conflict or tension after the setup and introduction of the characters.

There is some decent acting here from the cast, but I found it nearly impossible to see any detail in their faces due to the choice of shooting in very low light or artificially creating the effect in post. While I can't place blame entirely on the film as our local theater may have had issues with their projection system. Still, I prefer to see the expressions in actor's faces, otherwise I might as well be listening to a radio play.

The film could have been a full stop brighter and adding some fill light on the faces still would have allowed the look to be dark and drab as it was apparently intended.

By the time we get to the third act we still aren't rooting for our protagonist and frankly it's not completely clear until the climax that it's supposed to be Kidman's character. The editing is unimpressive.

This remake of "The Beguiled" isn't anything special. I suspect the jurors who awarded Coppola "Cannes Best Director Award" must have not have seen the film. For me it was best summed up by a phrase I overheard by a nearby audience member, "Is that it?". Yes... I'm afraid so.


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