Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Disney World.
In Northern Italy in 1983, seventeen year-old Elio begins a relationship with visiting Oliver, his father's research assistant, with whom he bonds over his emerging sexuality, their Jewish heritage, and the beguiling Italian landscape.
Double crosses, adultery, murder, mistaken identity, and revenge ensue when a mysterious power player and his sultry wife hire a disgraced Los Angeles property broker to discreetly market and sell their Malibu villa.
Writer Steven Rogers, a long-time friend of Allison Janney, wrote the role of LaVona Golden with Janney in mind. He'd written several roles for Janney in the past, but other actresses ended up getting those parts. She later thanked Rogers in her acceptance speech for the Best Supporting Actress award at the 75th Golden Globes for convincing her to take the part. See more »
Near the end of the film, while Jeff is explaining how the media so quickly moved on from his story to the next new item in the news cycle, the new van parked in front of his home is a newer model Ford E-Series van than what was used at the time. While that body style of E-Series was in production at the time, lights and wheels of the van signify it as being from at least 2001 or later. Also, the equipment mounted on the van is not what would be common for that time. See more »
At the beginning of the ending crawl, actual interview footage of LaVona Fay Golden, Shawn Eckhardt, and Tonya Harding is shown that mirrors some of the recreated interviews shown in the film. See more »
If I could have voted online for the best movie that I saw at TIFF 2017 (the voting was limited to iPhone and Android users), it would have been for this film, which wound up second in the People's Choice award competition. Director Craig Gillespie has tackled a difficult subject brilliantly without removing the considerable number of warts from the main characters. This film should garner a considerable number of Oscar nominations, including best picture and director.
Margot Robbie should be a lock for a Best Actress nod, completely burying her Australian background to deliver American white trash with complete credibility. (She won't win of course, because ... Tonya.) Her skating sequences are edited brilliantly - you really believe that it's her.
THE surest Oscar bet has to be Allison Janney as Tonya's acerbic, domineering, Swisher-chain-smoking mother LaVona Golden. She gives what I call a "schizophrenia" performance - there's no way that anyone seeing JUNO and this film back-to-back would ever notice that the mothers in both films are played by the same actress. Robbie got the loudest applause when the actors were introduced before the film, but when they came out afterwards, Janney's applause was equivalent to hers.
The story sticks to facts and places most of the blame for the Kerrigan incident on Sean Eckhardt, played with spot-on obnoxiousness by Paul Walter Hauser. The rest goes to hubby-at-times Jeff Gillooly, played by Sebastian Stan. He handles the husband-to-a-celebrity role with a charm not seen since Eric Roberts in STAR 80.
The subject matter may cost the film at awards time, but it's still an excellent movie that you should definitely check out if you have any interest at all in the story.
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