A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
An American nanny is shocked that her new English family's boy is actually a life-sized doll. After she violates a list of strict rules, disturbing events make her believe that the doll is really alive.
The film was shot digitally, but director and editor Mike Flanagan, in order to add a retro feel to the film, added elements in post-production to give the appearance of a movie shot on film. Those include the 'cigarette burns', marks that appear every 20 minutes or so in the upper right corner of the frame, which were used to signal a change of reels for film projected. See more »
When Alice and Father Tom are at the restaurant, they each have a plate of food. In the final shot when both of them drink from their wine glasses, however, both plates are missing. See more »
Wanna hear something cool?
Do you know what it feels like to be strangled to death? First, you feel the pressure in your throat. Your eyes water, and you start to taste something very, very sour in your mouth. Then it's like someone lights a match right in the middle of your chest, and that fire grows. It fills your lungs, and your throat, and all the way behind your eyes. And finally, that fire turns to ice; like pins and needles of ice are sticking into your fingers, your toes, your ...
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The scrolling end credits are fish-eye warped as if viewed through an Ouija board lens. See more »
This prequel has no business being as good as it is.
This prequel has no business being as good as it is. The first Ouija film came out in 2014 and quickly faded away into obscurity. So imagine my surprise when they decide to make a 'prequel' of all things. I hunch is that The Conjuring films have been pretty successful and they are set in the 70's, when things were a little creepier, no cell phones and genuine scary aesthetic. Imagine my surprise again when up and coming horror filmmakers Mike Flanagan was the man behind the camera. The underrated mirror horror flick Oculus and deaf home invasion flick Hush were two of his recent outings. Things were looking not too bad for this flick and to top it off, it received some pretty decent reviews.
Alice and her two daughters run a scam business in which they "speak to the dead". The mother justifies this business by telling her youngest daughter, Doris, that it helps people move on and get closure. When her eldest, Lina, plays the new Ouija boardgames at a friends house, she tells her mother to incorporate it into her act. She does and things take a sinister turn when they scam becomes reality.
It's hard to make a game board scary. The first film tried, failed and this one tries and succeeds for the most part. Any non-horror fan might balk at the idea that this film is good, but I consider this movie to be one of the most underrated flicks of the year. Flanagan knows how to build solid tension and he doesn't rely on cheap scares or an obscene amount of gore. This film has none of that. Careful framework and lighting is all he needs to create an unsettling atmosphere. Whenever someone decides to look through the ouija glass piece, you feel yourself tense up expecting something to happen.
Kids in horror films are the go to for anything scary. Most movies tend to cast children horribly and they end of ruining the film. Doris, played by Lulu Wilson delivers an innocent and somewhat chilling performance as the youngest daughter. Her goodbye message to a young boy about what it feels like to be strangled to death is an excellent scene to send chills down your spine. No scary images, sounds or blood needed. Just a child delivering one monologue about suffocating you.
Obviously the film is far from perfect, but it doesn't cater to the happy ending crowd either. It takes some chances and for the most part, lands them. I was surprised by how much I liked this film, which may be why the rating is higher than what others would tend to give a film like this. Had the first film never existed, this would be a bigger hit.
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