In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
It's time for a young African-American to meet with his white girlfriend's parents for a weekend in their secluded estate in the woods, but before long, the friendly and polite ambience will give way to a nightmare.
When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.
Imprisoned, the mighty Thor finds himself in a lethal gladiatorial contest against the Hulk, his former ally. Thor must fight for survival and race against time to prevent the all-powerful Hela from destroying his home and the Asgardian civilization.
Baby is a young and partially hearing impaired getaway driver who can make any wild move while in motion with the right track playing. It's a critical talent he needs to survive his indentured servitude to the crime boss, Doc, who values his role in his meticulously planned robberies. However, just when Baby thinks he is finally free and clear to have his own life with his new girlfriend, Debora, Doc coerces him back for another job. Now saddled with a crew of thugs too violently unstable to keep to Doc's plans, Baby finds himself and everything he cares for in terrible danger. To survive and escape the coming maelstrom, it will take all of Baby's skill, wits and daring, but even on the best track, can he make it when life is forcing him to face the music? Written by
Kenneth Chisholm (email@example.com)
The action scenes posed an interesting challenge for the filmmakers as they were timed to the music to which Baby was listening. See more »
(around 6 min.) When Baby and his gang switch from their red car into a green car, the cameraman and a crew member are reflected on the passenger's door upon swinging open. See more »
This one, they say that listens to the music all the time?
I mean, is he retarded?
'Retarded' means slow. Was he slow?
He had an accident when he was a kid. Still has a hum in the drum. Plays music to drown it out. And that's what makes him the best.
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The "ding" in the opening Sony logo turns into the sound of Baby's tinnitus. See more »
Tries Hard To Be Stylish With Its Unorganic Indulgence.
I hate to be the guy who gives 5/10 stars to everything that looks nice but lacks in substance, but it would be tough to rate it any better or any worse, so I'm truly stuck in the middle.
I can certainly see why this movie has received praise from the audience it's meant for, but as some other reviews here have remarked, it's kind of a boring affair overall.
I can't deny the soundtrack, though, which is more enjoyable to me than the way Guardians of the Galaxy pt 2 seems to force its soundtrack in our faces. The way the music is used is impressive and fits naturally with events on screen, regardless of many of those events not being engaging enough to keep me from daydreaming about my personal life while the film plays on before me. The music hitting at the right time was really the only thing ripping me out of my own thoughts and back into the narrative.
Those who are excited by car chases, sunglasses, trendy styles & simple dialogue need apply. If you aren't into that stuff, then maybe the music will save you too.
5/10; will expect multiple sequels.
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