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Baby Driver (2017)

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After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.

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Gear Up for 'Baby Driver' With Edgar Wright

Baby Driver writer and director Edgar Wright shares easter eggs from the movie and his favorite heists.

Nominated for 3 Oscars. Another 23 wins & 38 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
...
...
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Barista
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...
Street Preacher
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Doc
Morse Diggs ...
Morse Diggs
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...
Baby's Mom
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Baby's Dad
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Young Baby
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Diner Waitress
...
Cook
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Storyline

Baby is a young and partially hearing impaired getaway driver who can make any wild move while in motion with the right track playing. It's a critical talent he needs to survive his indentured servitude to the crime boss, Doc, who values his role in his meticulously planned robberies. However, just when Baby thinks he is finally free and clear to have his own life with his new girlfriend, Debora, Doc coerces him back for another job. Now saddled with a crew of thugs too violently unstable to keep to Doc's plans, Baby finds himself and everything he cares for in terrible danger. To survive and escape the coming maelstrom, it will take all of Baby's skill, wits and daring, but even on the best track, can he make it when life is forcing him to face the music? Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Taglines:

All you need is one killer track.


Motion Picture Rating (MPAA)

Rated R for violence and language throughout | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

|

Release Date:

28 June 2017 (USA)  »

Also Known As:

Baby Driver  »

Filming Locations:

 »

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Box Office

Budget:

$34,000,000 (estimated)

Opening Weekend USA:

$20,553,320, 2 July 2017, Wide Release

Gross USA:

$107,825,862, 19 October 2017

Cumulative Worldwide Gross:

$175,089,495, 20 August 2017
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

| (some shots)

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

One of the red Subaru WRX used in the film was given to Ansel Elgort for his birthday after he pleaded with the filmmakers to give him the car after filming had wrapped up. See more »

Goofs

Doc asks Baby to go inside the Post Office and take note of cameras, registers open, etc. Sam tells Baby there are "ten cameras, THREE registers open, etc." Baby returns to the car and tells Doc there are "ten cameras, TWO registers open, etc. " However, Baby didn't do such work before and thus could forget details, or may have intentionally lied. See more »

Quotes

Buddy: You doubt our credentials?
Bats: Wall Street, right?
Buddy: Doc tell you that?
Bats: Doc didn't tell me shit. Just a educated guess from an uneducated man.
Buddy: Well, Bats, I would be fascinated to hear your thoughts on the matter.
Bats: Tell me if I'm way off, Buddy. You were a stockbroker. Maybe a different wife, maybe kids. You stack your paper, but you say shit like "work hard, play harder." But you play a little too hard. You rack up debt. The type of debt that'd make a white man blush. Maybe you get into a little ...
[...]
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Crazy Credits

The "ding" in the opening Sony logo turns into the sound of Baby's tinnitus. See more »


Soundtracks

Neat Neat Neat
(Brian James)
Performed by The Damned
Courtesy of Sanctuary Records Ltd
Under licence from BMG Rights Management (UK) Ltd
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User Reviews

 
Completely silly waste of time -- for teens and under ONLY, if that
3 July 2017 | by See all my reviews

With all the hype over this movie, I had to come in here and try and be one little island of reason amidst the ocean of insanity. For the life of me, I cannot understand how it's getting any praise at all, let alone heaps of it. The premise/plot is colossally stupid, so it's check-your-brain-at-the-door stuff from the get-go. But even within those cartoonish parameters, there is not one interesting story element nor compelling character to be found. The movie is cliché after cliché. It has this one parlor trick, which surely you've heard about, where it often syncopates the (ridiculous) action with the music track. To which I reply, okay, fine. In no way do I see how this somehow elevates the terrible script and two-dimensional characters. At no point did I care about what happened to anyone. I hate to overuse simple descriptors like "dumb" or "pointless," but honestly, I can't use them enough about this movie. If I can save one over-13 person the waste of time, I will feel like a hero. Please save your money!


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