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La La Land (2016)

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In 33 theaters near Ashburn VA US [change]

A jazz pianist falls for an aspiring actress in Los Angeles.

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Cast

Cast overview, first billed only:
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Mia
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Famous Actress
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Linda (Coffee Shop Manager)
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Coffee Spiller
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Casting Director (First Audition)
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Tracy
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Alexis
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Caitlin
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Laura
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D.A. Wallach ...
'80's Singer
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Storyline

Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart. Written by Eirini

Plot Summary | Plot Synopsis

Taglines:

Here's to the fools who dream.


Motion Picture Rating (MPAA)

Rated PG-13 for some language | See all certifications »

Parents Guide:

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Details

Country:

|

Language:

Release Date:

25 December 2016 (USA)  »

Also Known As:

LaLa Land  »

Filming Locations:

 »

Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

$4,102,091 (USA) (16 December 2016)

Gross:

$135,754,693 (USA) (22 February 2017)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| (DTS: X)|

Color:

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

While Mia is writing her one woman play, the protagonist's name Genevieve is seen in the script. This is likely a reference to Catherine Deneuve's character in The Umbrellas of Cherbourg (1964), of which this movie is heavily inspired. See more »

Goofs

The day Sebastian visits Mia at her coffee shop, Mia entered work wearing black pants with a yellow bag. When Mia leaves work, she is wearing a blue skirt with a red bag. When they show a long shot of Sebastian and Mia walking on the lot, she is seen to be wearing black pants. Then in the next shot, she is wearing the skirt again. See more »

Quotes

Sebastian: I want to let you know you're looking at a new man. A man who's happy to be here.
Boss: Right, and you'll play the set list.
Sebastian: Gladly... Although, you know, I thought in this town it worked on a sort of "one for you, one for me" basis type system. How about two for you, one for me?
Sebastian: How about all for you and none for me?
Boss: That's perfect, yes.
Sebastian: Great.
Boss: Okay.
Sebastian: Okay, a mutual decision then.
Boss: Made by me.
Sebastian: Right, and I sign off on it, so...
[...]
See more »

Crazy Credits

There is a title card at the very beginning that says "Filmed in Cinemascope." See more »

Connections

Referenced in Good Morning Britain: Episode dated 23 January 2017 (2017) See more »

Soundtracks

Audition
Music by Justin Hurwitz
Lyrics by Benj Pasek and Justin Paul
Performed by Emma Stone
See more »

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User Reviews

 
Love letter to Hollywood .. and a Heck of a Film
1 January 2017 | by (North America) – See all my reviews

Writer/Director Damien Chazelle, who already had a nice career going for him, explodes into the Bigtime with this delightful, mesmerizing, and completely unexpected ode to Tinseltown.

The opening sequence (satirized on the Golden Globes) really does not do the rest of the film justice. It is as if the cast from the FAME remake grew up, had children of their own, and then those children hijacked the Santa Monica freeway to do a 10 minute flash-mob dance sequence.

From that point on, the film is hypnotic.

We segue to a love story as pure as anything since the great dramas of the 1940s. If the film had been in B&W, you would almost have expected to see Bette Davis in a 3-hankie tear jerker.

Except for the musical interludes, of course, which are pitch perfect and totally wonderful.

Gosling is surprising as a leading man expected to do song and dance, but he delivers the goods.

Stone, who was supposed to be "the next big thing" after Easy A (2010), steals the film and possibly the hearts of the audience as well. The awards should flow like water, and she will deserve every one.

As I said, deep in the DNA this is an ode to Hollywood. The film industry has always had issues with endings -- back in the day they would film several different endings per picture -- and then decide at the last minute which to use. Here Chazelle pays homage to that by giving us an alternate ending, along with the "real" ending, along with a closing sequence designed to remind everyone that nothing in Hollywood is actually real, but everything still can be really fun.

Destined to be a classic. Recommended.


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