In a city of humanoid animals, a hustling theater impresario's attempt to save his theater with a singing competition becomes grander than he anticipates even as its finalists' find that their lives will never be the same.
A cooler-than-ever Bruce Wayne must deal with the usual suspects as they plan to rule Gotham City, while discovering that he has accidentally adopted a teenage orphan who wishes to become his sidekick.
When her father unexpectedly passes away, young Ella finds herself at the mercy of her cruel stepmother and her scheming step-sisters. Never one to give up hope, Ella's fortunes begin to change after meeting a dashing stranger.
Disney's animated classic takes on a new form, with a widened mythology and an all-star cast. A young prince, imprisoned in the form of a beast, can be freed only by true love. What may be his only opportunity arrives when he meets Belle, the only human girl to ever visit the castle since it was enchanted.
The song "Gaston" has new lyrics that were written by the late Howard Ashman, but never made the final cut of the 1991 film. As a result, the song is slightly longer, and is more mature themed, but minus the reprise. See more »
The movie is set in France and all the characters are supposed to be speaking French (replaced by English in the film), but for reasons unknown Lumière speaks with a heavy French accent - and he's the only character to do so. See more »
The Walt Disney Pictures logo features the Prince's castle (with Villeneuve village in the background) in the evening before his masquerade party starts. A rosebush appears near the castle and the Enchantress picks a rose from it, leading into the opening. See more »
Come on Disney: what were you thinking?! You've got one of the most beloved films in your entire catalogue; the first animated film ever that was nominated for a best picture Oscar - and you give the new version of that film to the director of 'Twilight' parts 3 and 4? Has anyone of your executives even seen Bill Condon's 'Twilight' films or did you just look at all the money they made during their opening weekend? Just so you know: those films are atrocious. There are porn films who look better and have better plots (seriously).
Now the good news is, 'Beauty and the Beast' is nowhere near as bad as the Twilight films, but it DOES bear a striking visual resemblance to those teen shlock movies. And that's what I don't get: if you have the chance to make a film that will make 1.5 billion dollars (given the reviews are good) - wouldn't you want to make sure to make the best looking film possible? But over large stretches this film has the mediocre looking CGI of a cheap Lionsgate fantasy film and the nuanced color-grading of a bowl of M&Ms.
Emma Watson isn't half bad as Belle, but her acting feels forced in a way you can practically read the directions she gets from her director on her face ("now act SURPRISED" - "now show us a sense of WONDER" - "now look SAD"). Great actors like Kevin Kline are simply wasted because they have nothing to do besides just being there and have a certain look. The one actor who makes something of his role is, naturally, the one who plays the baddie; Luke Evans at least looks like he's having fun.
But all that is still not the worst. What sank the film for me was Beast. It's mind-boggling to me how a gigantic company like Disney lets a film open if the most important CGI effects obviously don't look convincing yet. Beast's face never looks real and that's just not acceptable. It's been almost 10 years since we got a completely convincing CGI "beast" face with Peter Jackson's King Kong, complete with alive looking eyes and natural facial expressions. Since then we got films like 'Dawn of the Planet of the Apes' and 'Jungle Book' that looked even better and more realistic. So what happened? What did they spend the 200 million budget on?
I'm sorry to say it, but this film represents a huge missed opportunity for Disney.
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