The movie seems to be set sometime between 1885 and 1889. While a motorcycle powered by an internal combustion engine was invented in 1885, Mr. Luteau's machine seems to be a design from 1895 at the very earliest. See more »
[catches Victor and Felicie on the roof]
I'm going to stop this! No one interrupts my nightly face care routine and gets away with it!
[Victor picks up Felicie and runs down the roof, with Luteau close behind]
Stop! I can't run that fast! I have delicate ankles!
[Victor, still carrying Felicie, jumps off the roof and manages to fly away with the help of his 'chicken wings'. Luteau, meanwhile, lands on a lower part of the roof and falls right through]
[...] See more »
The title doesn't appear until the end of the film. See more »
Tired of watching modern dance movies that has you say: Another one of Hollywood street dancer groups with all its acrobatics that must have come from America's got talent aiming for Hollywood that tosses aside the traditional dance of Ballet?
Produced at L'Atelier Animation in Montreal, Canada, Ballerina (2016) is majestic at all levels from the animation to the story itself.
A basic story of a young orphaned girl Félicie (Elle Fanning) who dreams to become a ballerina leaves with her friend Victor (Dane DeHaan) who also has a dream that of becoming a famous inventor, both go to Paris to meet their destiny.
What makes this a beautiful animation is that the story is not bogged by irrelevant metaphors or irony that distracts from the story that would have us distracted to the relevance of the movie based on something that could happen anywhere such as achieving one's goal. One does not say during the film that this scene is ridiculous that it diverts us from the message.
A success indeed.
First of all, the story itself. Set back in the 1800's where Paris is growing and where all hope is possible and notwithstanding the fact that Félicie (Elle Fanning) will take the identity of another person Camille Le Haut (Maddie Ziegler) is not new in the move world. Yet, the story progresses logically to have her be discovered as a fraud. What Merante (Terrence Scammell) sees in Félicie when he discovers the truth is what he sees in himself, one with passion. As a fact when he says to Camille and Felicie why they dance, in his harshness in his selection of candidates lies his humanity. He doesn't insult Camille but asks her why she dances?
Here we have the theme: Are we born to dance or do we become dancers that can be applied in all aspects of society? Are we born with a gift or do we become the gift?
Secondly, the choreography is absolutely amazing. It compares with all the acrobatics seen on America's got talent or in movies such as Rocky Balboa. Remember his training against this Russian guy? We see two types of training, the natural versus the mechanical training using modern equipment.
What about the competitive choreography between the two girls? Superbe!
If the film gave me shivers three times then I admit to the success of the film animation to have struck a chord in me. And, if my grandchild was able to relate to his life one scene which was the union of Félicie and as Odette (Carly Rae Jepsen) and which has also brought me back to when I bought tickets to the Ballet then I consider this animation a true marvel to which I give 10/10.
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