From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.
Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years. Written by
Warner Bros. Pictures
In June 2009, The New York Times reported that Scott and his brother, director Tony Scott, were working on a Blade Runner prequel, Purefold, set in 2019. The prequel was planned as a series of 5-10 minute shorts, aimed first at the web and then perhaps television. Due to rights problems, the series was not to be linked too closely to the characters or events of the 1982 film. On February 7, 2010, it was announced that production on Purefold had ceased, due to funding problems. On March 4, 2011, the website io9 reported that Yorkin was developing a new Blade Runner film. It was also reported that month that director Christopher Nolan was desired as director. See more »
When Luv takes K to the room where the data files are stored, the heavy door jams about half way when opening. She then uses physical strength to open it with her hands (with no apparent effort), but she is wearing elegant shoes with heels on a slippery floor. It would be physically impossible for her to apply enough force on the heavy door to open it without having a good grip on the ground, regardless of her superhuman strength. She would normally slide away when trying. See more »
[to Lt. Joshi]
You can't hold back the tide with a broom.
See more »
The film's title is hidden in the opening text. The text ends with "Blade Runner" in red and the next shot says "California 2049", where "2049" is in red. The three red words make up the film's title. See more »
Out of some masochistic, morbid curiosity, I was suckered into watching this on the big screen. Suckered by the 'rave' reviews, trailers and opinions of associates. For years, I mean years, I never, ever wanted a sequel. I never felt Blade Runner needed answers. If the movie seemed too ambiguous, than maybe, just maybe, that was its intention. Try reading the book. It's the same. What is Deckard? Phillip K. Dick never told us. The whole point to the story was to question what makes us human.
2049's attempt in answering this question, to me, robbed itself of what made the first movie, so good.
I did not walk into this movie expecting not to like it however. I put all my bias aside, and watched it with an open mind, a positive attitude, full of hope and wonder.
For me, the movie seemed too clean, too digitised, almost sanitised of the rich, tangible atmosphere that made the first movie so real.
I never really felt for K. Ryan Gosling was, well...Ryan Gosling. Its obviously just me, but his acting does nothing to make me care for this character. Harrison Ford's burnt out, old version of Deckard, also did nothing for me.
Jared Leto was as hollow and pretentious as expected.
Phillip K. Dick never followed up on his book, because everything you needed to know, and the point of the story, was right there inside.
For all its details, 2049's execution left me uninspired, unmoved and care-free.
Even the visuals never grabbed me. As stylised as they tried so hard to be, they did not detract from how I was left feeling, cold and empty.
K's virtual girlfriend, to me, epitomised the whole film. Empty, detached and without heart or soul.
I watched Blade Runner again on Blu-ray, just to make me feel better. I still get a lump in my throat at Roy Batty's dying words. And I still feel for Deckard and Rachel when they fall in love. Vangelis sounds as fresh today as ever. And the street scenes, in all their colourful, wet and grimy glory, sell to me, what the future is very much looking like being.
None of those emotions crossed over into the sequel, for me anyway.
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