The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Outside a movie premiere, enthusiastic fan Peppy Miller literally bumps into the swashbuckling hero of the silent film, George Valentin. The star reacts graciously and Peppy plants a kiss on his cheek as they are surrounded by photographers. The headlines demand: "Who's That Girl?" and Peppy is inspired to audition for a dancing bit-part at the studio. However as Peppy slowly rises through the industry, the introduction of talking-pictures turns Valentin's world upside-down. Written by
In solitude, George views a reel from one of his silent swashbucklers through a film projector centered within his apartment. The film is in fact a genuine silent film, The Mark of Zorro (1920), which established its star, Douglas Fairbanks, as a real life silent era action hero and matinée idol, the kind George Valentin is portrayed as being within the film. The scene from Zorro is altered, however, substituting actor Jean Dujardin as George for Fairbanks for the close-up shots. See more »
During the montage of films starring Peppy Miller, the spelling of her name on the movie posters changes from Pepi to Peppy. This may be deliberate - it is not uncommon for those with small parts to have their names misspelled. See more »
I don't get why people are agog over this movie. I wanted to like the movie but it was achingly boring through the first hour that I didn't think I could take the last 40 minutes. It picks up a little in the second half as it gets darker but it's still limp. Not as good as any ordinary silent movie I've ever seen. Overly campy, predictable, and frankly boring. I thought the movie would provide modern movie story-telling to an old art form to transform the medium. It clearly didn't do that and also failed as an ode to the glorious silent films of the past. Simply making a silent film today that is weak, insipid and vacuous does not qualify as homage. Even the independent film house where I saw this movie, which has adoring audiences that tend to applaud at the end of every movie, failed to generate the obligatory applause when this tome ended. I was very disappointed.
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