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Trailer for Hulu's 'Obey Giant: The Art & Dissent of Shepard Fairey' Doc

"The idea that someone didn't like it, didn't really phase me." Hulu has premiered the trailer for the new feature-length documentary titled Obey Giant: The Art & Dissent of Shepard Fairey, which will be available on Hulu starting this weekend. Made by Oscar-winning documentarian James Moll, the film profiles the life and work of artist Shepard Fairey, following his roots in punk rock and skateboarding to his creation of the iconic Obama Hope poster and the controversy that surrounds it. We're big fans of street art and the artists behind controversial street art, including Banksy (including his two docs Exit Through the Gift Shop and Banksy Does New York) and many others. Fairey is also a prominent, well-respected artist and this seems like a fascinating, exciting look at his life and all of his work. I really want to watch this doc. Official trailer for James Moll's doc Obey Giant
See full article at FirstShowing.net »

Eric Clapton Documentary Gets Awards-Qualifying Release in November

Eric Clapton Documentary Gets Awards-Qualifying Release in November
Eric Clapton is headed to the big screen later this month.

Abramorama is partnering with Showtime Networks to release the documentary Eric Clapton: Life in 12 Bars in limited theaters on Nov. 24. It will then premiere on Showtime on Feb. 10.

Directed by Lili Fini Zanuck, the doc is described as an unflinching and deeply personal journey into the life of the legendary musician. Passion PicturesJohn Battsek (Searching for Sugar Man) is among the producers of the film, which was edited by Chris King (Amy, Exit Through the Gift Shop). The title made its world premiere in September at the...
See full article at The Hollywood Reporter - Movie News »

Gravitas Ventures expands into international sales

  • ScreenDaily
Distribution and sales veteran Scott Kaplan has joined Gravitas Ventures as senior vice-president of global sales.

Kaplan will be based in New York and report to Gravitas president Michael Murphy, licensing new releases and library titles to international buyers.

“We see traditional international sales as complementary to our global licensing business,” Murphy told Screen. “We want to be able to give our filmmakers the best of both worlds to maximize revenue and exposure.”

Kaplan most recently served as senior vice-president of global sales at Gunpowder & Sky Distribution, and served in the same capacity at FilmBuff, which Gunpowder & Sky acquired last year.

“In addition to having great sales acumen, Scott brings a critical expertise to our team,” Murphy said. “He has a great eye for global acquisitions. In the last few years we’ve seen strong international growth and with the addition of Scott we’re going to step on the gas to further increase global awareness.”

Kaplan
See full article at ScreenDaily »

Taking a Closer Look at the Cannes Line-Up

Sophia Coppola, Yorgos Lanthimos, Noah Baumbach, ‘Twin Peaks,’ and more…2017 Official Poster © Bronx (Paris). Photo: Claudia Cardinale © Archivio Cameraphoto Epoche/Getty Images

The official lineup for the 70th Cannes Film Festival, which will run from May 18–28, was announced April 13. While a few more screenings will undoubtably be added as we creep nearer to the festival, the selections announced feature a lot worth getting excited over — including, for the first time, two television shows (Twin Peaks and Top of the Lake) and a virtual reality film (Carne y Arena). Also, considering that The Killing of a Sacred Deer and The Beguiled are both in the main competition, there is, assuming equal probability, an 11.1% chance that a film starring Nicole Kidman and Colin Farrell will take home the top prize. Considering

This year, the festival jury will be headed by acclaimed Spanish director Pedro Almodovar, with French actress Sandrine Kiberlain presiding over the Camera d’Or jury and Romanian
See full article at FilmSchoolRejects »

Film Review: ‘Maurizio Cattelan: Be Right Back’

Film Review: ‘Maurizio Cattelan: Be Right Back’
The man behind the Guggenheim Museum’s solid-gold toilet, Maurizio Cattelan has been described as a prankster, a fraud, an imitator, an innovator, a genius, a xylophone, and “quite possibly the most infuriating smart-ass on the contemporary art scene.” Actually, I have no idea whether any of that previous sentence is true, but it sounds plausible, which is good enough for director Maura Axelrod. A hard-hitting news reporter who took a break from covering international danger zones (like Rio favelas and Afghan front lines) to make the softball art doc “Maurizio Cattelan: Be Right Back,” Axelrod plays along with her eccentric subject’s insouciant attitude vis à vis his own identity to mostly delightful effect.

Like so many recent films about contemporary artists, the movie functions more as publicity than portrait, reminding viewers within its first two minutes that Cattelan’s work sells at auction for $10 million — as if that
See full article at Variety - Film News »

Trent Reznor, Massive Attack, Flea and More Record Music for Banksy’s Walled Off Hotel

  • Indiewire
Trent Reznor, Massive Attack, Flea and More Record Music for Banksy’s Walled Off Hotel
England’s elusive graffiti master, painter, activist and “Exit Through the Gift Shop” filmmaker Banksy has a new project: the Walled Off Hotel, an art hotel and gallery located in the West Bank town of Bethlehem. The hotel has nine rooms that were customized by Banksy, Palestinian artist Sami Musa and Canadian artist Dominique Pétrin.

Read More: Ariana Grande and John Legend SingBeauty and the Beast’ With Rose Petal Fan Dancers In New Music Video

The hotel also has a piano bar, which features a mechanical piano that is controlled remotely. According to the hotel’s website, every night, the piano will play back a concert recorded exclusively for it. Elton John performed via the remote-controlled piano at the grand-opening party (see video below). Massive Attack’s 3D will be the first artist in residence. Upcoming performers include Trent Reznor and Atticus Ross, Flea and Hans Zimmer.

Read More:
See full article at Indiewire »

Buddhist Movie ‘Becoming Who I Was’ Picked Up by Bond/360

Marc Schiller’s Bond/360, whose team were behind breakthrough films like “Exit Through the Gift Shop,” “Senna” and “The Imposter,” has acquired the exclusive U.S. and Canadian rights to Chang-Yong Moon’s Buddhist documentary film “Becoming Who I Was.”

The distributor, whose recent releases include “An Art that Nature Makes,” “Notes on Blindness” and “Strike a Pose,” will premiere the pic in New York City in the fall, followed by a nationwide release on Bond’s new Karma Cinema label, followed by a digital, educational and DVD release later in the year.

“The film follows Padma Angdu, who is no ordinary boy,” according to a statement. “In a past life he was a venerated Buddhist master. His village already treats him like a saint as a result. The village doctor, who has taken the boy under his wing, prepares him to be able to pass on his wisdom.”

Tibet,
See full article at Variety - Film News »

Eric Clapton Movie to Be Directed by Oscar-Winner Lili Fini Zanuck

Eric Clapton Movie to Be Directed by Oscar-Winner Lili Fini Zanuck
Lili Fini Zanuck, the Oscar-winning producer of “Driving Miss Daisy,” is to direct documentary feature “Eric Clapton: A Life in 12 Bars,” partnering with producer John Battsek, whose credits include Oscar-winners “One Day in September” and “Searching for Sugar Man.”

Altitude Film Sales is handling international sales, and Altitude Film Distribution has taken U.K. rights. First footage will be unveiled to buyers at Berlin’s European Film Market.

“Clapton’s music is the foundation of our film. His commitment to the blues, its traditions and originators, is absolute from his earliest days,” said Zanuck, who previously directed 1991 crime drama “Rush.” “He was also forever restless in his search of a suitable vehicle to shape and grow his artistic voice, often bewildering fans and the media with sudden changes in musical direction, bands, songs, guitar style, tone and physical appearance.”

The film will also examine Clapton’s personal life, which
See full article at Variety - Film News »

Una Morera Joins Bond/360 as Director of Distribution

Una Morera Joins Bond/360 as Director of Distribution
Industry veteran Una Morera has been named director of distribution for indie film distributor and documentary specialist Bond/360, Variety has learned exclusively.

The hire was announced Thursday on the opening day of the Sundance Film Festival. Morera will be responsible for executing cross-platform communications strategy for Bond/360 releases.

Before joining Bond/360, Morera served as director of programming for Lionsgate’s Tribeca Shortlist Svod in New York. She had also worked as senior content programmer for Gaia.com Svod in Colorado since 2005.

Morera has produced and directed documentary shorts and worked as a development executive for Jane Berliner and Handprint Entertainment.

Bond/360’s upcoming slate includes “Strike a Pose,” “The Settlers,” “Karl Marx City,” and “God Knows Where I Am.”

“Una Morera is an experienced documentary marketing professional,” said Bond/360 COO Elizabeth Sheldon. “She has a deep knowledge of the documentary landscape and an unrelenting passion to connect audiences with films across platforms.
See full article at Variety - Film News »

Bring On the Bidding Wars: 14 Movies That Could Sell Big at the 2017 Sundance Film Festival

  • Indiewire
Bidding wars have already begun for the 2017 Sundance Film Festival. Buyers snapped up six titles in the days leading up to the fest, including one that A24 purchased sight unseen: David Lowery’s “A Ghost Story,” starring Casey Affleck and Rooney Mara. Other movies acquired in the past two weeks are “Berlin Syndrome” (Netflix), “Call Me By Your Name” (Sony Pictures Classics), “Casting JonBenet” (Netflix), “Cries From Syria” (HBO for television rights) and “Long Strange Trip” (Amazon).

Read More: Sundance 2017: Netflix, Vertical Acquire ‘Berlin Syndrome’

With 120 features playing at Sundance, there are plenty of hot titles remaining for acquisition executive, though it will be tough for any film to exceed last year’s $17.5 million purchase of “The Birth of a Nation” by Fox Searchlight, the biggest deal in the festival’s history.

Which movies are likely to have buyers lining up in the cold this year? Here are 14 hot
See full article at Indiewire »

T2: Trainspotting Gets Featured On Empire Magazine Covers

With the release of T2: Trainspotting less than a month away now – on the other side of the pond, at least – the hugely anticipated sequel is moving along steadily with its promotional campaign, which continues today with some slick new Empire Magazine covers.

Each cover highlights one of the main characters, draped in orange, black and white, as they were on the original film’s poster. The first cover features Ewan McGregor’s Renton, the second Robert Carlyle as Begbie, the third Ewen Bremner as Spud, and the fourth sees Jonny Lee Miller as Simon aka “Sick Boy.”

See Full Gallery Here

In addition to these character-centric covers, Empire subscribers will also receive a special one designed by none other than Banksy’s Exit Through the Gift Shop subject Mr. Brainwash. It features the four main characters in a street-art style cover resembling graffiti.

Drawing inspiration from Irvine Welsh’s novel sequel Porno,
See full article at We Got This Covered »

Landmark’s Sunshine Cinema: Why New York Cinephiles Could Lose a ‘Crown Jewel’

  • Indiewire
The clock may be ticking for New York City’s Landmark Sunshine Cinema. The building that houses the arthouse theater on Manhattan’s Lower East Side has been up for sale for more than a year, and while no buyer has materialized yet, some feel it’s only a matter of time before real estate developers turn the beloved cinema into a high rise apartment building.

Read More: iPic’s Big Gamble: How a High-End Theater Chain Hopes to Change the Way We Go to the Movies

Though a number of media outlets have reported that the Sunshine’s lease will be up for renegotiation at the end of 2018, the existential threat facing the theater has less to do with its lease than the possibility that a new buyer will demolish the building and replace it with a towering apartment complex. Built in 1898, the property has a reported price tag of more than $35 million.
See full article at Indiewire »

NYC Weekend Watch: Paul Verhoeven, 3-D Auteurs, Tom Hanks & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Film Society of Lincoln Center

“Total Verhoeven” begins with the likes of RoboCop, Showgirls, and Turkish Delight.

Film Forum

Experience the best of an oft-maligned format with “3-D Auteurs,” showcasing contemporary and classic technological innovation.

Labyrinth will screen on Sunday morning.

Museum of Modern Art

Tom Hanks: A Tribute” begins tonight, while “To Save
See full article at The Film Stage »

‘Where in the Hell is the Lavender House?’ Pursues the Creator of a Prank-Call Comedy Empire

  • Indiewire
‘Where in the Hell is the Lavender House?’ Pursues the Creator of a Prank-Call Comedy Empire
Here’s your daily dose of an indie film, web series, TV pilot, what-have-you in progress, as presented by the creators themselves. At the end of the week, you’ll have the chance to vote for your favorite.

In the meantime: Is this a project you’d want to see? Tell us in the comments.

Where in the Hell is the Lavender House?

Logline: Two unlucky filmmakers get way lost trying to find and interview the Banksy of prank phone calls: Longmont Potion Castle.

Elevator Pitch:

This film is a documentary about a documentary about two documentarians trying to make a documentary about an anonymous prank phone caller with a huge cult following. It’s a scripted/unscripted reality performance piece about a crazy dude who has taken prank phone calls to a new artistic level over the past thirty years. It’s got a great indie comedy vibe, but with hidden camera pranks,
See full article at Indiewire »

Why Not a Documentary for Best Picture?

Why Not a Documentary for Best Picture?
Ava DuVernay’s “Selma” follow- up, “13th,” opened the New York Film Festival on Sept. 30 and immediately situated itself as one of the year’s best films. Why, then, is it a foregone conclusion that we won’t be talking about it in terms of best picture?

No documentary has ever received a nomination for Hollywood’s top prize, despite true landmarks of the form — like “Shoah” and “Hoop Dreams” (the latter controversially snubbed in the doc category as well) — making strong cases.

In 2013 and 2015, a pair of documentaries by Joshua Oppenheimer — “The Act of Killing” and “The Look of Silence” — topped many critical assessments of the years’ best cinema, but nobody expected noms for best picture. In 2005, “March of the Penguins” became a cultural event that did bang-up box office, but it couldn’t break out of the documentary feature category at the Oscars.

And talk about cultural events: A year earlier,
See full article at Variety - Film News »

Cinema Eye Names Top Documentaries and Directors of the Past Decade

  • Indiewire
Cinema Eye has named 10 filmmakers and 20 films that have been voted as the top achievements in documentary filmmaking during the past 10 years. Founded in 2007 to “recognize and honor exemplary craft and innovation in nonfiction film,” Cinema Eye polled 110 members of the documentary community to determine the winning films and filmmakers just as the organization kicks off its tenth year.

Read More: Behind the Scenes of Cinema Eye’s Secret Field Trip for Nominees

Among the films chosen are Joshua Oppenheimer’s “The Act of Killing,” Laura Poitras’ Oscar-winning “Citizenfour” and Banksy’s “Exit Through the Gift Shop.” Poitras and Oppenheimer were both also named to the list of the top documentary filmmakers, joining Alex Gibney, Werner Herzog and Frederick Wiseman, who recently won an honorary Oscar and will be saluted at the annual Governors Awards on November 12.

“It’s fantastic that he is being recognized by the Academy for a
See full article at Indiewire »

Van Toffler’s Digital Studio Gunpowder & Sky Acquires John Sloss’s FilmBuff

  • The Wrap
Gunpowder & Sky, the digital studio backed by The Chernin Group’s and At&T’s Otter Media, has acquired distribution company FilmBuff. Financial terms of the deal were not disclosed. FilmBuff is a nine-year-old distributor founded by veteran sales agent John Sloss behind indie movies like “Senna,” Jared Leto‘s “Artifact” and the Oscar-nominated documentary “Exit Through the Gift Shop.” Lately it has focused more on distribution deals for content creators with digital-first platforms like Mashable, YouTube and Vice. As part of the acquisition, FilmBuff CEO Janet Brown will become the executive vice president of the newly dubbed GunPowder & Sky Distribution.
See full article at The Wrap »

Gunpowder & Sky Acquires FilmBuff Indie Film Distributor

Gunpowder & Sky, the digital content studio launched by Van Toffler and backed by At&T and Chernin Group, has acquired independent content sales and distribution company FilmBuff.

Financial terms of the deal aren’t being disclosed. New York-based FilmBuff, founded in 2008, has been an early mover in digital distribution and has expanded into digital-first content in recent years. FilmBuff will be rebranded as Gunpowder & Sky Distribution, and will be led by FilmBuff CEO Janet Brown in her new role as executive VP of distribution.

“Now we have development, production, marketing and distribution – it’s a full panoply of services for independent creators,” said G&S chief Toffler, formerly CEO of Viacom Media Networks Music Group and a longtime MTV exec. “Now we have an arm that will let us sell stuff around the world, and not only our own stuff, but also for to the Fullscreens, Vices and Mashables.”

According to Toffler,
See full article at Variety - Film News »

Gunpowder & Sky Forms Sales And Distribution Arm Following Acquisition Of FilmBuff

Digital studio Gunpowder & Sky, which was co-founded by former Viacom and Endemol executives Van Toffler and Floris Bauer, has acquired FilmBuff, an indie content sales and distribution company. This means that nine-month-old Gunpowder & Sky now comprises in-house development, production, financing, and distribution capacities in its quest to develop subversive short-form and feature-length premium content. Now, the company says, it will be able to distribute and market originals globally across all platforms, and represent third-party producers and creators as well.

FilmBuff, which has offices in Los Angeles and New York, will be rebranded Gunpowder & Sky Distribution as part of the deal, and former CEO Janet Brown has been named Gunpowder & Sky’s Evp of distribution. Founded in 2007, FilmBuff was responsible for distributing the Oscar-nominated Exit Through The Gift Shop as well as Rooster Teeth’s Lazer Team. In addition to bold-faced publishers like Vice, Conde Nast, and Mashable, FilmBuff has also handled branded content from Ge,
See full article at Tubefilter News »

Arthouse Audit: ‘The Beatles: Eight Days a Week’ Concert Doc Soars in Hybrid Release

  • Indiewire
Arthouse Audit: ‘The Beatles: Eight Days a Week’ Concert Doc Soars in Hybrid Release
Reaching back over a half century, “The Beatles: Eight Days a Week – The Touring Years” thrived with a contemporary mix of theaters and Hulu home viewing availability to become a major grossing event this weekend. The Ron Howard concert doc led an otherwise bleak set of new openers as audiences wait for top titles from festivals to reach theaters.

Included among the openers are two films from directors of Best Picture winners that got little attention: “Mr. Church” from Bruce Beresford (“Driving Miss Daisy”) and “Finding Altamira” from Hugh Hudson (“Chariots of Fire”). Fortunes take different paths. Ron Howard directed “Eight Days a Week,” while Clint Eastwood and Oliver Stone are nabbing attention with “Sully” at #1 and “Snowden” farther back in the pack, respectively.

Opening

“The Beatles: Eight Days a Week – The Touring Years” (Abramorama) – Metacritic: 72

$615,632 in 88 theaters; PTA (per theater average): $7,243 ; Cumulative: $772,467

Ron Howard is the latest Oscar-winner (see Eastwood,
See full article at Indiewire »
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