In Providence, a husband and wife die in a botched robbery; we see flickers of his last memories. His heart goes to Terry Bernard, a single father raising a girl with a rare degenerative disease. After the operation, Terry has flashes of memory from the last moments of the dead donor's life. Then, he recognizes one of the donor's killers and follows him into an alley. Within days, Terry becomes an unwilling avenger, with a police detective on his trail. Meanwhile, he begins a romance with his daughter's doctor, his moods complicated by memory flashes, the donor's deepening presence in both Terry's mind and body, and the unexplained bond among the donor's killers. Can this end well? Written by
When lead character meets Acherton in bathroom his name-tag says Michael Acherton after he is called the detective refers to him as Paul Acherton. See more »
Dispatch this is Rescue 3. I have a 55 year old white male named Lyar, John. He has massive blunt trauma to the skull. Glasgow Coma Score is 1, Henry 3. Patient has ID in his wallet identifying him as an organ donor. Alert trauma and transport team.
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After receiving a heart transplant, genuinely nice guy Lucas encounters both the very attractive female doctor who cares for his seriously ill daughter and visions of murder and mayhem he has to make sense of. Very loosely based on Poe's "The Tell-Tale Heart," which is at its core an inner monologue of a mad man that lasts only a few pages, scribe Dave Callaham expanded, embellished and embroidered the story for the modern age. In the gifted hands of helmer Michael Cuesta ("L.I.E.," "Twelve and Holding," TV's "Dexter") the so-so plot gets elevated to art-house standards with Lena Headley and Josh Lucas oozing believable chemistry, and the always exceptional Brian Cox making a lasting impression as a cop with an agenda of his own. Ends as abruptly as a punch in the guts, but it's definitely worth a glimpse
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