After discovering a sailboat just offshore containing former hatch oversee Desmond, Jack and Sayid come up with a plan to confront "The Others" and hopefully get Walt back. Meanwhile, Eko and Locke ...
Due to a political conspiracy, an innocent man is sent to death row and his only hope is his brother, who makes it his mission to deliberately get himself sent to the same prison in order to break the both of them out, from the inside.
Life is laid bare as a group of plane crash survivors find themselves stranded on a remote Pacific island. The trauma of the crash soon becomes overshadowed by the island itself, where unseen creatures stalk the jungle, paranormal happenings abound and astonishing coincidences reveal themselves. In this unique environment emotions swell as the survivors battle their inner and outer demons, and strive to live together - so that they won't die alone. Written by
The part of Charlie was originally written for someone much older, but when Dominic Monaghan auditioned, the writers and producers loved him so much that they set about re-writing the part to Dominic's strengths. See more »
During the 1970s portions, all of the spectacle wearing characters have an anti-reflective coating on their lenses (the greenish hued reflection). In the 1970s these were generally reserved for optical equipment lenses. See more »
I enjoyed lost while it was happening. It was enjoyable watching as the mysteries unfolded. Its nice to have TV where everything isn't geared toward the lowest common denominator but lost's finale just ruined the whole experience for me. Way too many unanswered questions. It's like the writers had no idea where they were going and then just bailed. Not how to treat your viewers. Its all well and good to create a mythology but somewhere along the line you have to reward those that stuck with you. All the mysteries that were put forward, all these items to hook the viewer in and no payoff? That in my opinion is just bad writing and bad television. Everyone can think up mysteries that have no explanation and that go no where. The difficulty is in making them coherent and rewarding come the payoff. Lost's payoff was miserable. A copper coin throw at the feet of those who had put in six years work. A mess of plot lines that were so intricate that they simply couldn't figure out themselves. Cool ideas thrown together with no plan as to how to make sense of them at any stage, and a final series that tried, i wont even say valiantly, to wrap up as much of these as possible but ended up with a few knots or bows and miles of string left thrown all over the place. The end of something can make or break something. Arlington road is one film that reminds me of this, an average film, that achieved greater heights because of a great ending. Lost was the opposite - a genuinely unique and interesting TV show that at the end unraveled with the writers basically giving the viewers the middle finger wrapped up in some feel good "climax" that brought some "closure" to the show. On watching the last episode I was actually angry at how cheated i felt. Don't waste your time with this rubbish.
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