A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
Casanova is in love with Francesca, who thinks he is a friend of himself even though he is engaged to Victoria, who is the love of Giovanni, Francesca's brother. Francesca is betrothed to Paprizzio who thinks Casanova is the feminist writer Guardi, who is really Francessca's nomme de plume. Amidst all these secret identities and misunderstandings, the Catholic Church sends Pucci to bring Casanova and Guardi to trial for heresy. Written by
The soundtrack uses an orchestra on instruments from the 18th century, staying true to the period setting of the film. It is a consortium of players from various early music ensembles in the US including the American Baroque Orchestra, Trinity Baroque, and Tafelmusik. The works are mostly derived from composers active in Venice at the time, some original music by Alexandre Desplat was used with the orchestra on original instruments. See more »
For a split second when Casanova jumps from one building to another you can see the harness. See more »
Great fun, wonderful settings and music, for all ages
I read here that in the USA this film got an R rating, not PG-13, as ¨director Hallström wanted, only because of something that is suggested is happening under a table. In the Netherlands, where it had it's premiere yesterday, the rating is for over 5 year olds, so that says enough for whom this movie really is. I was at first a little disappointed to find out that this is not a historical movie, but a slapstick comedy, but I loved the settings (Venice and Vicenza,where they made a scene in the famous Teatro Olimpico, which is supposed to be a Venice University in the movie) and the music which is mostly baroque (Vivaldi, Albinoni, Händel, Rameau, Paisiello and a few more) and as a baroque music lover I thoroughly enjoyed the movie just only for the music alone. This must be one of the first-ever costume farce movies, but if you forget all the movies like Shakespeare in love or Pride and Prejudice and take this movie for it's own merits, it is a thoroughly rewarding experience. There was a lot of laughing by the audience and I found myself laughing more than in any movie I remember. It is thoroughly entertaining from first to last minute, but devout Catholics will find it insulting, as it makes fun of the Catholic Church, but it should be quite evident to everyone, also devout catholics, that the story is not to be taken too seriously, so why being bothered by it? The movie can actually be considered as a modern version of an opera buffa. Obviously there is a romantic plot and by all the farce and hilariousness I would say that the romantic element gets snowed under, but, as said, you have to accept this movie for what it is and concentrate on the lavish settings, costumes, music, the fun, and you will want to see it many more times, like me.
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