General Crook rolls into Deadwood with his troops, known as "Custer's avengers," and the Yankton magistrate, Clagett, prompting a parade and business solicitations from E.B. Farnum and Cy Tolliver. ...
A New Jersey mob boss, Tony Soprano, deals with personal and professional issues in his home and business life, which affects his mental state and leads him to seek professional psychiatric counseling.
Before Spartacus struck down his first opponent in the arena, there were many gladiators who passed through the gates onto the sand.'Spartacus: Gods of the Arena' tells the story of the ... See full summary »
The town of Deadwood, South Dakota in the weeks following the Custer massacre is a lawless sinkhole of crime and corruption. Into this uncivilized outpost ride a disillusioned and bitter ex-lawman, Wild Bill Hickok, and Seth Bullock, a man hoping to find a new start for himself. Both men find themselves quickly on opposite sides of the legal and moral fence from Al Swearengen, saloon owner, hotel operator, and incipient boss of Deadwood. The lives of these three intertwine with many others, the high-minded and the low-lifes who populate Deadwood in 1876. Written by
Jim Beaver <firstname.lastname@example.org>
The role of Al Swearengen was originally written for Ed O'Neill. O'Neill screentested for the role, but HBO executives did not want to cast him, because of his fame as Al Bundy from Married with Children (1986). See more »
In one scene set in the Gem Saloon, the tune to "Waiting for the Robert E. Lee" is played on the piano. This song was composed in 1912, and the show is set in 1876-77. See more »
Wild Bill Hickok and those two guys that walked past you downstairs save the squarehead kid; tell Ned to stick around so they see what the kid has to say about him.
Wild Bill Hickok?
And Ned throws down...
Against Wild Bill Hickok?
Against Hickok and this other cocksucker who draws almost as fast, so it's a toss-up who blew Ned's head off.
See more »
If you want to experience the real old west first hand, look no further; you'll find it in 'Deadwood'. There has never been a show or a film that came as close to showing what life must have been like in those lawless young towns that got built nearly over night wherever gold was found. A magnet for all kind of fortune seekers (gold diggers, whores, outlaws but also settlers who were just hoping to build a better life), the town of Deadwood was notorious even by the standards of the time. In the show, this "cesspool of vice" is brought back to life with great attention to historical detail. You'll find no romanticised view of pioneers who lived and died by "the code of honour", but real people whose moral standards are in most cases murky at best. And the world they inhabit is a rough, dirty, violent place where only the fiercest and the most cunning survive.
As far as the historical characters depicted in the show are concerned, the writers naturally had to take some liberties (after all, nobody knows exactly who said or did what at the time), but the depiction of the era and the historical background are very accurate. Yet this is not a history lesson; it's an immensely entertaining western-show blessed with some of the best writers and actors working in television and film today and especially the cast of 'Deadwood' really can't get enough praise: there is not a single performance here that isn't excellent. Of course, the one who steals the show is Ian McShane. His Al Swearengen is one of the most morally complex and fun-to-watch characters I've ever seen (and he misses absolutely no opportunity to show you just what the first five letters in "SWEAR-engen" stand for). The power-struggles in Deadwood he is involved in and since he wants to maintain his position at the top of the food-chain he's involved in all of them are equalled in complexity and entertainment value only by those in top-notch shows like 'Game of Thrones', 'House of Cards' or 'Breaking Bad'. And the lengths Al is willing to go to achieve his goals secure him a place in the top ten of "all-time great bad-asses".
So my verdict: While certainly not for the easily offended or those who prefer a "sanitized version" of the old west, 'Deadwood' offers a fascinating look at a time we mostly know from myths and legends and gives us a chance to revisit those and see them from a different angle. Great, intelligent and informative entertainment. 9 stars out of 10.