General Crook rolls into Deadwood with his troops, known as "Custer's avengers," and the Yankton magistrate, Clagett, prompting a parade and business solicitations from E.B. Farnum and Cy Tolliver. ...
The town of Deadwood, South Dakota in the weeks following the Custer massacre is a lawless sinkhole of crime and corruption. Into this uncivilized outpost ride a disillusioned and bitter ex-lawman, Wild Bill Hickok, and Seth Bullock, a man hoping to find a new start for himself. Both men find themselves quickly on opposite sides of the legal and moral fence from Al Swearengen, saloon owner, hotel operator, and incipient boss of Deadwood. The lives of these three intertwine with many others, the high-minded and the low-lifes who populate Deadwood in 1876. Written by
Jim Beaver <firstname.lastname@example.org>
According to a 2004 Jewish Journal of Greater Los Angeles interview with show creator David Milch, when John Hawkes first met Milch to audition for the role of Sol Star, Hawkes told Milch that he was not actually Jewish (unlike both the real-life Star and the "Deadwood" character). Milch's response was to ask Hawkes, "Have you ever felt shame or sadness or ostracized?" When Hawkes responded, "Every day". Milch told him, "Then you're Jewish." See more »
In one scene set in the Gem Saloon, the tune to "Waiting for the Robert E. Lee" is played on the piano. This song was composed in 1912, and the show is set in 1876-77. See more »
Reverend H.W. Smith:
Lord, grant that I may seek rather to comfort than to be comforted, to understand, than to be understood, to love, than to be loved... and the rest I forget.
See more »
Absolutely superb. I don't think I've ever given anything a 10/10 before, but for a TV show, Deadwood is excellent - and given the crap we're generally subjected to on the box, absolutely outstanding. The sets, the research, the directing, the characters, the acting - all shine. And without wanting to sound gushy, the script is close to Shakespearian in its prosaic yet pragmatic tone. The juxtaposition of the grit and dirt and blood of the real 'Wild West' with formal Victorian language is genius. Even the opening credits are beautiful. It may not be everyone's cup of tea (the language and content can be a little 'strong' although entirely appropriate and in context) but anyone who's a fan of quality entertainment, shouldn't go past it.
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