The 25th Hour depicts the last day of freedom for a young man before he begins serving a seven-year jail term for drug dealing. Prowling through the city until dawn with his two close male friends and his girlfriend, he is forced to re-examine his life and how he got himself into his predicament, which leads to a shocking, disturbing finale. Written by
Justin Harris <email@example.com>
Although Monty's bathroom monologue is similar to the racial stereotype montage in Spike Lee's Do the Right Thing (1989), it is taken almost verbatim from David Benioff's original novel. The only part not from the novel are the references to Osama bin Laden and the 9/11 attack. See more »
In the scene where Monty asks Francis to "mess him up before he goes to prison" Francis begins to punch him in the face with his right fist, and then alternately (in the far away scenes) he is using his left fist. See more »
White Lines (Don't Don't Do It)
Written by Melle Mel (as Melvin Glover) and Sylvia Robinson
Performed by Grand Master & Melle Mel
Courtesy of Rhino Entertainment Group
By Arrangement with Warner Special Products and Courtesy of Sanctuary Records Group See more »
Having seen Spike Lee's "25th Hour", I must say I was pleased. Lee's plot is both involving and heartfelt, showing the essence of reality. His script is fresh, yet somewhat slow in spots. His characters shine, however, in a truly believeable tale of consequence. Edward Norton, in another masterful performance, shows an almost frightening level of genuine human emotion as the protagonist Montgomery Brogan. The supporting cast consisting of Philip Seymour Hoffman, Barry Pepper, and veteran Brian Cox provide a solid foundation that allows Lee's story to flow freely. While most would consider this tale a literal one, take note: It is quite apparent, through subtlety and the rather obvious "restroom mirror scene" that Spike Lee has a message he wants to get across. What I think makes "25th Hour" so appealing on a theoretical level is the fact that his message is surprisingly open-ended; allowing the individual viewer to decide what he or she wants to retain from the film. This is a genuine film experience; a haunting dose of reality.
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