Casey McCall and Dan Rydell are sports anchors and best friends. On "Sports Night," their nightly cable program, the two display their unique talent and skills in reporting up-to-the-minute... See full summary »
Presidential advisers get their personal lives hopelessly tangled up with professional duties as they try to conduct the business of running a country. Fictional Democratic President Josiah "Jed" Bartlet suffers no fools, and that policy alienates many. He and his dedicated staffers struggle to balance the needs of the country with the political realities of Washington, D.C., working through two presidential terms that include countless scandals, threats and political scuffles, as well as the race to succeed Bartlet as the leader of the free world. Written by
In 2010, for the 20th Anniversary of Entertainment Weekly Magazine, EW reunited Martin Sheen (President Josiah Bartlet), Allison Janney (C.J. Cregg), Bradley Whitford (Josh Lyman), Elisabeth Moss (Zoey Bartlet), Dulé Hill (Charlie Young), Janel Moloney (Donna Moss), Kathryn Joosten (Dolores Landingham), and Stockard Channing (Abigail Bartlet) for a photo shoot and interview, and asked them to opine on the hypothetical futures of their characters' lives. Alison Janney thought C. J. was touring on the lecture circuit and making a lot of money speaking about her White House years; Elisabeth Moss thought Charlie and Zoey had stayed together; and Bradley Whitford thought Josh and Donna both worked at a think tank (but Donna quit working after their child was born). See more »
Characters repeatedly refer to the lectern in the press briefing room as the podium. The podium is the raised platform on which the lectern and speakers stand. See more »
[still new to the White House, Josh can't find his desk]
I'll just walk around some more and see if I can get into a pick-up meeting.
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The special post-9/11 episode was broadcast without the regular opening credits. Instead, the episode began with the cast, out of character, speaking about the episode, followed by credits on a black screen. See more »
I couldn't get into the West Wing when it began its run. The people spoke too quickly, I didn't get most of the references, and where the heck were they powerwalking to? I just didn't get it. After an episode or two, I just forgot about it.
On a recent weekend, though, I heard the pilot was being broadcast and thought I'd give it a try. Watching this show from the beginning - and being able to see episodes over again - makes all the difference. This time, I realized that I wasn't *supposed* to understand what they were referring to right out of the gate; it would be explained before the episode ended. After watching the pilot, I also realized that unlike most TV shows, The West Wing episodes are visual manifestations of great books. Both force the viewer to ask questions, challenging simple answers, refusing to provide easy, fixed-in-60-minutes situations, and providing sudden, unexpected plot twists.
As excellent as the actor's performances are, it's the writing that makes the show so good. It doesn't shy away from moral ambiguity, it rarely takes the easy way out, and it compels you to believe in your government despite all the reasons it gives you to despair of it.
Some might think that only jingoistic supernationalists enjoy the West Wing, but neither of those words describe me. I feel very comfortable questioning the decisions my government makes, and I appreciate how the West Wing has broadened my understanding of how it operates. For that reason alone, it deserves the accolades it receives. It's one of the best shows in the history of television.
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