The Game (1997) - News Poster



Latest rumours on The Batman claim it will be a Justice League sequel with or without Ben Affleck

I’m struggling to think of a project which has had as much rumour and speculation surrounding it as Warner Bros. and DC Films’ planned Dark Knight solo movie The Batman.

For months now, it seems a day hasn’t gone by without some report claiming to drop “insider information” on the status of the film, and that stepped up a gear this past week when Ben Affleck revealed that he was yet to sign on for the movie, and looking to “segue out” of the role.

To bring you up to speed, a rumour emerged a few days ago claiming that Reeves has identified Jake Gyllenhaal as a replacement for Ben Affleck, and that he is considering two ideas for his trilogy – one which would serve as a prequel to Batman v Superman: Dawn of Justice, and the other as a standalone series of films.

Well, we now have
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The Batman Said To Be A Crime Film That Dives Deep Into Batman Mythos

After Wonder Woman, there was a brief period when the Dceu looked to be back on track. Then came the big fat mess of Justice League, which likely marks the final time we’ll see Ben Affleck in the Batsuit. Jake Gyllenhaal is apparently poised to take over the role from him in Matt ReevesThe Batman, which is currently in pre-production, but what would a Gyllenhaal/Reeves Dark Knight pic look like?

After the failure of Justice League, will they jettison the increasingly wobbly Dceu and make it a solo film, or perhaps head back way before Man of Steel and show us the prime of the Dceu Batman? Well, inside sources at Warner Bros. have now told former Latino-Review writer Mario-Francisco Robles that it’ll be neither. Word is that DC are ploughing ahead with their cinematic universe, saying in concrete terms: “The Batman will not be a prequel or reboot.
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Rushes. Paul Thomas Anderson's "Phantom Thread", Kodi's Piracy, Ozu's Essays

  • MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.Recommended VIDEOSPerhaps you haven't caught it by now, or simply need reason to watch it again: the first trailer for Paul Thomas Anderson's Phantom Thread, starring Daniel Day-Lewis and set in the 1950s London fashion scene.Independent filmmaker Zia Anger, whose provocative short work we're big fans of, offers a stunning video for Zola Jesus' new single.Kinet, the online avant-garde publishing platform co-programmed by Mubi's Kurt Walker, has released their seventh program in the form of an ambitious Halloween-themed omnibus film entitled Aos Sí. It includes new films by Gina Telaroli, Raya Martin, Sophy Romvari, Neil Bahadur, Walker, and many more.At the Toronto International Film Festival, we loved Louis Ck's I Love You Daddy, a dark comedy of artistry and perversion. The film, Ck's first since Pootie Tang, shot
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Tyler Labine, ‘Insecure’s Jay Ellis & Nik Dodani Join Sony’s ‘The Maze’

  • Deadline
Tyler Labine, ‘Insecure’s Jay Ellis & Nik Dodani Join Sony’s ‘The Maze’
Exclusive: Tyler Labine, Jay Ellis, and Nik Dodani have enlisted in Sony’s The Maze, the psychological thriller about six strangers who find themselves in circumstances beyond their control and must use their wits to survive. The trio joins previously announced cast Deborah Ann Woll, Logan Miller and Taylor Russell in the film, which Adam Robitel is directing. The project, said to be in the vein of David Fincher’s 1997 film The Game, is being produced by Neal Moritz and…
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The Week in Spandex – Wonder Woman 2, Justice League, Superman Lives, Man of Steel 2, Avengers 4, Captain Marvel, The Punisher, Hellboy and more

In this edition of The Week in Spandex, we look at Wonder Woman 2, Justice League, The Batman, Batman: Year One, Superman Lives, Man of Steel 2, Suicide Squad 2, Nightwing, Gotham, Supergirl, The Flash, DC’s Legends of Tomorrow, Arrow, Krypton, Avengers: Infinity War, Avengers 4, Thor: Ragnarok, Spider-Man: Homecoming, Venom, Captain Marvel, Guardians of the Galaxy Vol. 2, Ant-Man and the Wasp, X-Men, Fantastic Four, The Punisher, Jessica Jones, Logan, X-Men: The New Mutants, The Gifted, Hellboy, The Boys, SuperMansion and more…

We’re starting things off in the DC Extended Universe this week, and it’s now official that Patty Jenkins will be back in the director’s chair on Wonder Woman 2, with Jenkins putting pen to paper on a deal which has presumably made her one of – if not the – highest-paid female directors in Hollywood. Meanwhile, Jenkins has also enlisted Dave Callaham (The Expendables, Godzilla) to script the film,
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New Details On Ben Affleck’s Batman Script Surface

Back when Matt Reeves entered early negotiations to helm The Batman for Warner Bros., it emerged that the War For the Planet of the Apes director wanted to exercise full creative control over the Caped Crusader’s next solo outing.

It’s a similar approach Reeves took upon climbing aboard Dawn of the Planet of the Apes, when the writer-director shied away from Fox’s original vision of an apocalyptic blockbuster in favor of a much more nuanced, Western-esque feature about two tribes – two species – attempting to co-exist on the same plot of land.

With The Batman, it’s a little different; despite his initial desire to write, direct, produce, and indeed headline the DC standalone pic as Gotham’s watchful protector, Ben Affleck handed over the reins to Matt Reeves, who reportedly climbed aboard on the condition that he could direct from a totally new script. We’re not
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Playing ‘The Game’ on Its 20th Anniversary – David Fincher’s 1997 Film Still Holds Up

  • Slash Film
Playing ‘The Game’ on Its 20th Anniversary – David Fincher’s 1997 Film Still Holds Up
More than any other mainstream filmmaker, David Fincher is the one who has had his finger on the pulse of our generational concerns. If you Google Fincher’s name and the word “zeitgeist,” it will immediately turn up countless think pieces talking about how his films — especially Fight Club and The Social Network — have […]

The post Playing ‘The Game’ on Its 20th Anniversary – David Fincher’s 1997 Film Still Holds Up appeared first on /Film.
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Deborah Ann Woll, Logan Miller and Taylor Russell to Star in ‘The Maze’

Deborah Ann Woll, Logan Miller and Taylor Russell to Star in ‘The Maze’
Deborah Ann Woll, Logan Miller, and Taylor Russell are in talks to star in Sony’s “The Maze.”

Adam Robitel is directing the movie, and Neal Moritz and Ori Marmur are producing via Original Films.

The film — in in the vein of David Fincher’s “The Game,” starring Michael Douglas — is an elevated psychological thriller about six strangers who find themselves in circumstances beyond their control and must use their wits to survive.

Best known for her role on HBO’s “True Blood,” Woll is currently recurring on various Marvel series as Karen Page. Originally seen on “Daredevil,” Woll will appear next as Page on “The Defenders,” which premieres on Friday, as well as “The Punisher” Netflix series later this year. She also starred in the indie “Silver Lake” opposite Martin Starr.

Miller can be seen next in Fox’s “Simon vs. the Homo Sapiens Agenda” and also has “Prey” on the horizon. He
See full article at Variety - Film News »

Deborah Ann Woll, Logan Miller to Star in Sony's 'The Maze'

Deborah Ann Woll, Logan Miller to Star in Sony's 'The Maze'
Deborah Ann Woll, Logan Miller and Taylor Russell will star in the thriller The Maze.

The Sony project will be directed by Insidious: Chapter 4 director Adam Robitel. The project is described as in the vein of the 1997 David Fincher film The Game, an elevated psychological thriller about six strangers who find themselves in circumstances beyond their control and must use their wits to survive.

Neal Moritz and Ori Marmur are producing via Original Films. Maria Melnik, a staff writer on series American Gods, wrote the latest draft while Bragi F. Schut wrote an earlier draft of the...
See full article at The Hollywood Reporter - Movie News »

Drive-In Dust Offs: He Knows You’Re Alone (1980)

  • DailyDead
Following the horror juggernaut that was Halloween (1978), major studios were very interested to hop in bed with stalk and slay splatterfests. When the Paramount distributed Friday the 13th (1980) looked to be muy lucrative, the big boys jumped hard on the mattress to see how much coin they could dislodge. MGM was no different, and made their claim with He Knows You’re Alone (1980), a film that ultimately survived the dog pile with winning characterizations over slavish Carpenter imitations.

Filmed in December of ’79 on Staten Island and released at the end of summer, He Knows You’re Alone made nearly $ 5 million for MGM against a meager $ 250,000 budget. A tidy profit to be sure, but it was recognized by most critics (and horror fans alike) as a messy pastiche of everything that worked about Halloween but operating with a lot less wattage. I think that’s only partially true – He Knows actually manages to create memorable characters,
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Review: Edgar Wright's 'Baby Driver' is an Act of Clockwork Precision

The British writer-director behind the "Three Flavours Cornetto" trilogy – consisting of Shaun of the Dead (2004), Hot Fuzz (2007), and The World's End (2013) – and also the director behind 2010's Scott Pilgrim vs the World, Edgar Wright, is known for his unique, kinetic, energetic cinematic style. Unlike most comedy directors working today, Wright finds humor in the filmmaking, utilizing framing, lighting, mise-en-scène, camera movement, editing, and sound to pull as much comedy out of a scene as possible. With his latest film, Baby Driver, Wright has not only improved upon his signature style, but matured with it. Like David Fincher, Wright is honing his craft with every film he makes, relying less on his style and more on imbuing the style with substance. If his early works are similar to those of Fincher's (Se7en, The Game, Fight Club), then Baby Driver is his Zodiac — a disciplined and elegantly orchestrated thriller that feels both effortless and impossibly intricate.
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Dear David Fincher, Please Return to the Alien Franchise

Henry Bevan with an open letter to David Fincher

Dear David,

I’m going to jump right into it: you should consider lobbying to direct the next Alien movie, whatever it may be.

Don’t stop reading! I know your last experience of the franchise on Alien 3 was a clusterfuck and you felt your career was being torn to shreds like Bishop at the end of Aliens. I understand why you look like you’ve suffered a death in the family every time someone mentions it to you, and I believe you when you say no one hates that film more than you. I get the pain, David. I. Get. It.

The experience made you develop a distaste for franchise blockbusters, it seemed you would never jump into something with prescribed expectations for success again. That was until you signed up for World War Z 2 (please change the title). Now,
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'Take Me': Film Review

'Take Me': Film Review
First things first: Dispel all associations with David Fincher's The Game when approaching Take Me, Pat Healy's nasty little quasi-comedy about people who pay to have themselves kidnapped. The operation here is much more humble than the shadowy, powerful one toying with super-rich executives there: Think one man with a van, who will imprison you for eight hours, traumatizing you just enough to help break your addiction to junk food. Starring opposite Taylor Schilling in his first feature as director, Healy knows exactly the mix of comical bumbling and psychological tension he wants here, executing the premise in a way...
See full article at The Hollywood Reporter - Movie News »

The Last Horror Blog: 'Friday the 13th' Game Readies For Release, 'The Black Gloves' Trailer and More

Friday the 13th game has a release date – If you’re like me, you’ve been eagerly waiting to learn when the guys at Gun Media would finally release their multiplayer Friday the 13th game. Well, wonder no more – and clear your schedule on May 26, because that’s when you’ll be able to don Jason’s iconic hockey mask and start slaughtering camp counselors (or become a camp counselor hoping to survive one of Jason’s infamous rampages…). Friday the 13th: The Game is slated for release on Xbox One, PlayStation 4, and PC. Digital copies will retail for $40, physical for $60. Here’s the official release date reveal clip. David Fincher in talks to direct World War Z 2 – In...

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It Came From The Tube: When Michael Calls (1972)

  • DailyDead
A lot of great TV horror movies rely on a final image, a real shocker, to hammer home the fear. But not all of them. When Michael Calls (1972) is a telefilm that measures out its chills, leading to a logical conclusion (for a small screen sinner) instead of an iconic screen shot for nostalgic viewers. Regardless, this one provides a platform for a solid thriller with a pedigree behind and in front of the camera.

Originally broadcast on Saturday, February 5th, as the ABC Movie of the Weekend, When Michael Calls had the normal competition from CBS’ New Dick Van Dyke Show/Mary Tyler Moore Show and NBC’s Saturday Night at the Movies. But ABC’s Movies of the Week (on Tuesday’s, and here) almost always won out with viewers, providing exciting, original fare. This one is no exception.

Let’s crack open our fair weathered faux TV
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Guillermo del Toro Analyzes David Fincher’s ‘Zodiac,’ Proves It’s One of the Best Films in ‘Recent Memory’

  • Indiewire
Guillermo del Toro Analyzes David Fincher’s ‘Zodiac,’ Proves It’s One of the Best Films in ‘Recent Memory’
March 2 marked the 10 year anniversary of David Fincher’s “Zodiac,” and numerous publications spent last week honoring the film as one of the great masterworks of modern cinema. But perhaps the best tribute came from none other than Guillermo del Toro, who spent most of the weekend tweeting up a storm about just how much he adores Fincher’s procedural drama. He ranked “Zodiac” #1 on his list of the best movies Fincher has ever made, saying he watches it “at least twice a year.”

Del Toro also launched an epic twitter thread in which he analyzed the movie in 13 tweets, bringing attention to the way it operates far more deeply than any film that has been released in “recent memory.”

Read More: The New Classics: David Fincher’s ‘Zodiac

“Every great movie works at many levels,” he wrote. “Some are evident: the dramaturgy (writing, plot, character, structure), image crafting and sound as storytelling tools,
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Remember David Fincher’s The Game? Kidnap Solutions Wants to Make it the Real Deal

Okay, so this is an interesting one here. I got a press release with the subject line “Kidnap Solutions LLC | Live out Your Darkest Fantasies!” First of all, I never knew there was such a thing as “kidnap fantasies”… Continue Reading →

The post Remember David Fincher’s The Game? Kidnap Solutions Wants to Make it the Real Deal appeared first on Dread Central.
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‘Seven’: How a David Fincher Mail Mix-Up Lead to the Legendary Ending

  • Indiewire
‘Seven’: How a David Fincher Mail Mix-Up Lead to the Legendary Ending
David Fincher’s 1995 thriller “Seven,” starring Brad Pitt and Morgan Freeman, has a shocking ending that almost didn’t happen due to a mail mix-up.

The cult classic was written by Andrew Kevin Walker, who at the time had optioned the script with “Christmas Vacation” helmer Jeremiah Chechik on board to direct. But Chechik had a different movie in mind and told Walker to rewrite the ending.

[Editor’s Note: Spoilers for “Seven” follow. Proceed at your own risk.]

The movie as we know it ends with John Doe (Kevin Spacey) delivering Detective Mills’ (Pitt) wife’s head in a box. Walker’s reworked version didn’t include that scene. After Chechik moved on from the project, the original version of the script with the shocking twist accidentally landed in the hands of Fincher.

“[Fincher] expressed some interest [in directing], but in expressing his interest to them, had mentioned there was a head in the box,” Walker told The Hollywood Reporter. “And they were like,
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The Best Of The Best: The Greatest Movie Actors and the roles that made them great

  • HeyUGuys
Author: Dave Roper

The prospective candidates for admission to MiB were hand-picked because they were the best of the best of the best. That’s a lot of superlatives. Eric Roberts and Chris Penn were two of the more unlikely members of a Tae Kwon Do team that took on Korea in The Best of the Best and across pretty much every athletic and artistic theatre of endeavour you can think of, debate rages as to who is the best of the best. Today we look at the greatest movie actors.

This new series of articles is not intended to lay such arguments to rest. Instead it will hopefully prompt some discussion and (polite) debate as we consider, within certain film-making disciplines, who might be considered to be the best and what is their best work. Highly subjective, of course, but that is whence springs healthy debate. We’ll get to actresses,
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