Saturday Night Fever (1977) - News Poster

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Filmmaking Legends on How New York’s Era of Decay Sparked a Creative Revolution

Filmmaking Legends on How New York’s Era of Decay Sparked a Creative Revolution
In the 1970s and early ’80s, New York City embodied the revolution taking place in American cinema. It was brash and brutal, crude and powerful, sexy and grimey, and had a swagger that was unmistakable.

It was also a low point for the city. The Bronx was burning, crime was rising and city hall was broke. But even as respectable folks fled for the safety of the suburbs, New York became a canvas for talented filmmakers. From “The French Connection” to “Saturday Night Fever,” it posed as the setting of classic films that ushered in a new era of on-screen realism. It was the age of De Niro and Pacino, Scorsese and Lumet, talents who upended the sterile and factory-like approach to making movies that dominated the studio system.

It’s a revolution in filmmaking that’s over. Just as Times Square, the setting of “Taxi Driver,” has been replaced by a fantasyland for tourists, movies
See full article at Variety - Film News »

First Trailer For John Travolta As Legendary Crime Boss ‘Gotti’ [Watch]

  • The Playlist
John Travolta’s comeback in the 1990s is one of the more famous in American stardom. In the 1970s, Travolta became one of the biggest draws around thanks to “Grease” and “Saturday Night Fever,” but spent much of the 1980s in a series of disappointments, culminating in the “Look Who’s Talking” franchise.But then, Quentin Tarantino came knocking with “Pulp Fiction,” and Travolta became an even bigger star than before, with a run of terrific movies including “Get Shorty,” “Face/Off,” “The Thin Red Line” and “Primary Colors.”

If that was a peak, recent years have been something of a trough: Travolta’s recent films have mostly, like similar actors of his vintage, been cheap VOD jobs with titles you’ve not heard of like “The Forger,” “Life On The Line,” “Criminal Activities” and “I Am Wrath” (with Ti West’s underrated, underseen “In A Valley Of Violence” a
See full article at The Playlist »

Toronto Film Review: ‘Razzia’

Toronto Film Review: ‘Razzia’
If political courage were a measure of artistic merit, Moroccan director Nabil Arouch’s “Razzia,” a kaleidoscopic drama about intolerance and social tumult in Casablanca, would be a formidable achievement. As it stands, Arouch’s decision to keep courting controversy after his last film, “Much Loved,” was banned from Morocco for its depiction of prostitution in Marrakech is laudable in a country where the censors hold sway. Yet the everything-is-connected framework, linking five stories across a 30-year span, plays like a multipronged pitchfork wielded against the establishment, with each character sharpened to a point. The message-first approach drains the film of spontaneity and depth, despite the rousing passion of its director. A prime spot in Tiff’s Platform competition will raise its profile, but “Razzia” may struggle to find a home, inside and outside Morocco.

With repeated references to “Casablanca,” Arouch draws a contrast between the romantic and rebellious spirit of the Humphrey Bogart-Ingrid Bergman classic
See full article at Variety - Film News »

1980 and the Death of the Disco Musical

  • MUBI
The AppleThe musical possesses a unique form of power rarely afforded to other Hollywood genres. In the words of film scholar Rick Altman, “The musical invites us to forget familiar notions of plot, psychological motivation, and causal relationships.” In contrast to other commercial genres, the musical is almost one-of-a-kind in its ability to arrest time and space, to suspend disbelief, to defy our lived understanding of human relationships and even the very conventions of filmgoing. In what other mainstream genre can fictional characters get away with looking into the camera lens so often? Dramatic logic is replaced in the Hollywood musical by spectacle and raw emotional appeal, with singing as the defining device for such purely cinematic priorities.But what happens to the musical when singing is taken out of it? This was the conundrum of the short-lived disco musical, a sub-genre that ended as soon as it began.Popular
See full article at MUBI »

Film Review: ‘The Fabulous Allan Carr’

Film Review: ‘The Fabulous Allan Carr’
A life lived very large — although his plus-size physicality would be the source of perpetual insecurity and eventual health woes — Allan Carr was both the quintessential Hollywood showman and an exception to most of its rules. His attraction to glamour and glitz was old-school, yet the camp edge he brought to it as a “flamboyantly” out gay man was often a bit much for staid industry mind-sets. His hits (big-screen “Grease,” the stage “La Cage aux Folles”) were record breakers, though some might argue his flops were even more unforgettable — one, the notorious 1989 Academy Awards ceremony he produced, stirring such intense backlash it abruptly ended his career.

Garishly colorful, packed with stars, legendary parties, and a wide streak of pathos, it’s a singular life story entertainingly recounted in “The Fabulous Allan Carr.” This latest documentary by Jeffery Schwarz isn’t as warts-and-all dishy an approach to that saga as the 2010 print tome “Party Animals,” by
See full article at Variety - Film News »

Baby Driver or Oedipus Wrecks

  • CultureCatch
Vroom! Vroom! Ansel Elgort, the cute-as-cute-can-be lead of the cancer romance, The Fault in Our Stars, bops around Baby Driver like Saturday Night Fever’s Tony Manero, with his ear buds semi-glued in. You keep expecting a few disco balls to pop into view while the Bee Gees let loose on the soundtrack.

Sadly, no balls. No white suit. And not much of a credible plot in this frenetic crime/coming-of-age hybrid.

What we do get is a rhythmic youth delivering coffee and pizza, driving getaway cars, caring for a deaf, mute, disabled older gent, and falling in love with Debora (Lily James), a singing waitress, to the throbbing beats of Queen’s "Brighton Rock," The Champs' "Tequila," and Barry White's "Never Never Gonna Give Ya Up." Imagine Derek Hough in Pulp Fiction.

A masterwork??? Some media folks have been raving over Baby Driver weeks before its release date.
See full article at CultureCatch »

Movie Poster of the Week: New York in the 1970s in Polish Posters

  • MUBI
Above: Polish poster for Escape from New York (John Carpenter, USA, 1981). Designer: Wieslaw Walkuski.For three weeks in July, New York’s Film Forum is running a stellar series of more than 40 1970s New York-set films. As soon as I heard about the program I wanted to do a poster article on it, given that the 1970s was a heyday for American poster design. However, when I started to look at the posters I realized that many of them were so well known that rehashing their posters wasn’t that interesting. But in my search I started to notice how many of the films had Polish counterparts. It is interesting that so many of these American productions were released in Poland and it may have had a lot to do with the counter-cultural, anti-establishment bent of most of the films.While poster design in the U.S. had moved quite decisively from illustration to photography-based in the late 60s, Polish poster art was still mostly drawn and painted in the 1970s. There are a couple of exceptions here but the photos are collaged or posterized in a way that is quite different from the way they would be used in the U.S. Another interesting note is that very few of the posters make use of New York signifiers, with the obvious exception of the Statue of Liberty for Escape from New York, and a silhouetted skyline for Manhattan (notably the two films with the most New York-specific titles). Otherwise the posters seen here are typically idiosyncratic, eccentric, beautiful, alluring, occasionally baffling and, with the possible exception of Serpico, always strikingly unlike their American counterparts. This selection also feels like a tour of great Polish poster art in the 70s, with most of the major artists represented: Jakub Erol, Wiktor Gorka, Eryk Lipinski, Andrzej Klimowski, Jan Mlodozeniec, Andrzej Pagowski, Waldemar Swierzy, Wieslaw Walkuski and more. It seems as if every major designer got a crack at at least one of these challenging, thrilling films.Above: Polish poster for Manhattan (Woody Allen, USA, 1979). Designer: Andrzej Pagowski.Above: Polish poster for Marathon Man (John Schlesinger, USA, 1976). Designer: Wiktor Gorka.Above: Polish poster for All That Jazz (Bob Fosse, USA, 1979). Designer: Leszek Drzewinski.Above: Polish poster for Three Days of the Condor (Sydney Pollack, USA, 1975). Designer: J. Czerniawski.Above: Polish poster for The Hospital (Arthur Hiller, USA, 1971). Designer: Marcin Mroszczak.Above: Polish poster for Diary of a Mad Housewife (Frank Perry, USA, 1970). Designer: Eryk Lipinski.Above: Polish poster for Taxi Driver (Martin Scorsese, USA, 1976). Designer: Andrzej Klimowski.Above: Polish poster for Klute (Alan J. Pakula, USA, 1971). Designer: Jan Mlodozeniec.Above: Polish poster for Saturday Night Fever (John Badham, USA, 1977). Designer: Andrzej Pagowski.Above: Polish poster for The French Connection (William Friedkin, USA, 1971). Designer: Andrzej Krajewski.Above: Polish poster for Serpico (Sidney Lumet, USA, 1973). Designer: Jakub Erol.Above: Polish poster for The Panic in Needle Park (Jerry Schatzberg, USA, 1971). Designer: Tomas Ruminski.Above: Polish poster for Midnight Cowboy (John Schlesinger, USA, 1969). Designer: Waldemar Swierzy.Above: Polish poster for The Anderson Tapes (Sidney Lumet, USA, 1971). Designer: Jan Mlodozeniec.See New York in the 70s at Film Forum from July 5 to 27.Posters courtesy of Heritage Auctions.
See full article at MUBI »

John G. Avildsen, 'Rocky,' 'The Karate Kid' Director, Dead at 81

John G. Avildsen, 'Rocky,' 'The Karate Kid' Director, Dead at 81
John G. Avildsen, the Oscar-winning director of Rocky and The Karate Kid, died Friday in Los Angeles following a battle with pancreatic cancer. He was 81.

Avildsen’s son Anthony confirmed the filmmaker's death to the Los Angeles Times, adding that Avildsen died at Los Angeles' Cedars-Sinai Medical Center.

Avildsen won the Academy Award for Best Picture for his work on 1976's Rocky. Like the titular boxer played by Sylvester Stallone, the film was an underdog itself: Despite a minuscule million-dollar budget, Rocky became the highest-grossing film of 1976, winning three Oscars
See full article at Rolling Stone »

John Heyman, Distinguished Financier and Producer, Dies at 84

Film producer and financier John Heyman, who founded influential British agency International Artists and the World Group Companies, died Friday in New York, his family told Variety via statement. He was 84.

John Heyman passed away in his sleep today, Friday the 9th of June,” the statement read.

His son, David Heyman, is the producer of the Harry Potter films, among many others.

Heyman’s World Film Sales pioneered the foreign pre-sales of films on a territory by territory basis.

John Heyman produced films including “The Go-Between” (1971), family sci-fi film “D.A.R.Y.L.” (1985) and “The Jesus Film” (1979). He was also an uncredited executive producer on David Lean’s 1984 E.M. Forster adaptation “A Passage to India.”

Over the course of his career he arranged financing of more than $3 billion to co-finance films including “Awakenings” and “The Odessa File” (at Columbia), “Edward Scissorhands,” “Home Alone” and “The Rocky Horror Picture Show” (Fox), “Victor/Victoria” and
See full article at Variety - Film News »

Cannes adds restored 'Bugsy Malone', 'Saturday Night Fever'

  • ScreenDaily
Cannes adds restored 'Bugsy Malone', 'Saturday Night Fever'
Exclusive: Cannes Classics additions also include Michael Bay’s Bad Boys.

Cannes Classics is understood to have added three movies to its lineup in the shape of Bugsy Malone, Saturday Night Fever and Bad Boys.

Director Alan Parker has been closely involved in the restoration of his 1976 classic Bugsy Malone, which is due to get a Cinéma de la Plage (beach screening) on Friday May 19th.

The director’s cut of John Travolta dance drama Saturday Night Fever, which will celebrate its 40th anniversary this year with a Us re-release, is slated for a Cinéma de la Plage on Saturday 20th May.

The cut will include three scenes not in the original release.

Michael Bay’s 1995 action-comedy Bad Boys will also get a beach screening on Monday 22 May. The film’s star Will Smith is on the festival jury this year.

The trio are among the Classics lineup restored by distributor Park Circus, which has also
See full article at ScreenDaily »

Guardians Of The Galaxy Vol. 2 Kicks Off Summer 2017! -- The Weekend Warrior

  • LRM Online
Welcome back to the Weekend Warrior, your weekly look at the new movies hitting theaters this weekend, as well as other cool events and things to check out.

Guardians of the Galaxy, Vol. 2 Kicks Off the Summer With a Sci-Fi Action-Comedy

After three weeks of dominating the box office, Universal’s The Fate of the Furious is going to have to give way to a new movie, and that’s because the first weekend of May means that it’s officially...The Summer Movie Season!!!!

Just like the last couple years, the summer movie season is kicking off with a new movie from Marvel Studios, and their sequel Guardians Of The Galaxy, Vol. 2 (Marvel Studios/Disney), reunites Chris Pratt as Starlord, Zoe Saldana as Gamora, Dave Bautista’s Drax, Michael Rooker’s Yondu with the voices of Vin Diesel and Bradley Cooper as Groot and Rocket Racoon, for the next
See full article at LRM Online »

John Badham interview: Saturday Night Fever at 40

Don Kaye May 15, 2017

Director John Badman looks back at his disco classic four decades later...

Saturday Night Fever is the film that made John Travolta into a legitimate star, launched the Bee Gees to the pinnacle of pop success and introduced the world to the subculture, music and fashion of disco dancing - specifically the scene in the clubs of the insular blue collar Brooklyn neighbourhood of Bay Ridge. The movie made the scene and music into a national phenomenon that lasted several years, until the disco craze petered out in the early '80s.

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The whole thing was based on a New York magazine article called 'Tribal Rites Of The New Saturday Night', written by a British journalist named
See full article at Den of Geek »

Saturday Night Fever Dances Back Into Theaters May 7th & May 10th

“You make it with some of these chicks, they think you gotta dance with them.”

In 1977, Saturday Night Fever became a cultural touchestone like few movies before or since, and this May fans can catch the fever again when the influential classic returns to the big screen for two days only in celebration of its 40th anniversary.

Director John Badham worked with Paramount Pictures to restore the film using the original negative and update the surround sound mix to further enhance viewers’ enjoyment of the incredible soundtrack. During this process he added scenes to the theatrical R-rated version that round out character and plot, making this new Director’s Cut the definitive representation of his original vision.

Fathom Events and Paramount Pictures will present the brand-new Director’s Cut of Saturday Night Fever in cinemas nationwide on Sunday, May 7 and Wednesday, May 10, at 2:00 p.m. and 7:00 p.m.
See full article at WeAreMovieGeeks.com »

Giveaway: Win ‘Saturday Night Fever’ Director’s Cut on Blu-ray (3 Winners)

Director John Badham's Saturday Night Fever starring John Travolta is finally making its Blu-ray debut on May 2nd, 2017 in celebration of the film's 40th anniversary.

As a special treat, Paramount Home Entertainment is including the sought-after director's cut along with seven other bonus features (director's commentary, deleted scene and more) for a complete home video package.

We have teamed up with Paramount Home Entertainment to offer three lucky readers each a copy of the Saturday Night Fever Director's Cut Blu-ray in this giveaway. For a chance to win one simply fill out and submit the short entry form below.

The odds of winning can be increased each and every time you stop back to enter again for as many days as the contest is open.

You must be a resident of the U.S. or Canada to enter.

With John Travolta’s electrifying Oscar-nominated performance, the Bee Gees’ explosive soundtrack and,
See full article at TheHDRoom »

The 25 most iconic movie entrances

Robert Keeling Apr 25, 2017

Saluting the movie characters who make an impression, the minute they appear on the screen...

One thing that unites all of cinema’s most iconic characters is that they were able to make a memorable first impression. Whether it’s bursting onto the scene in a flurry of noise or slowly skulking their way into shot, there’s a fine art to ensuring a character makes an instant impact on screen. An iconic entrance is not just about a momentary impact however, it can also emphasise a character’s importance and help to cement their influence over the rest of the movie.

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There are any number of contributory factors that can be blended together in order to make an entrance truly memorable. These include the accompanying music, the choice of camera shot, the
See full article at Den of Geek »

TCM Film Festival 2017 Recap

Once again, Wamg attended the 2017 Turner Classic Movie Film Festival in Hollywood, and as always, it did not disappoint!

Ahhh…so many movies, so little time to cover everything, but here are some highlights of my favorite movies of this year’s festival.

Willy Wonka and the Chocolate Factory (1971)

Shown poolside at the Hollywood Roosevelt Hotel, this classic was perfect for opening night. Brightly colored inflatable balls and lights floated in the pool like some of Wonka’s best candies as guests enjoyed snacks and cocktails on a beautiful spring evening. In attendance for this special screening were some of the cast members of the original movie. Miss Veruca Salt herself, Julie Dawn Cole; Mike Teevee, also known as Paris Themmen; and one of the original Oompaloompas, Rusty Goffe.

Along with host Illeana Douglas, they recounted some great memories of being on the set of the film in Germany more than 45 years ago.
See full article at WeAreMovieGeeks.com »

Bee Gees Hit Song “Stayin’ Alive” Could Very Well Save Your Life One Day

It was a classic hit in 1977 and the song will hold up until the end of time. “Stayin’ Alive” by the Bee Gees will always go down as the song John Travolta struts to in Saturday Night Fever. That memorable scene of Travolta walking down the street acting cool and fashionable has been mimicked time and time again in movies and television and remains a classic to this day. The song itself is almost an anthem for confidence and bravado. If you’re walking down the street and start blasting “Stayin’ Alive” it’s like you’re put into another dimension of

Bee Gees Hit Song “Stayin’ Alive” Could Very Well Save Your Life One Day
See full article at TVovermind.com »

UK industry veteran Terry Glinwood dies aged 82

  • ScreenDaily
UK industry veteran Terry Glinwood dies aged 82
Glinwood worked with Roman Polanski, Jeremy Thomas, Karel Reisz and Terry Jones.

UK industry veteran Terry Glinwood has died aged 82 following complications from surgery for a minor complaint.

Glinwood’s career spanned fifty years as a producer and sales executive during which time he worked closely with some of the European industry’s leading figures.

He entered the business in the 1960s as a production controller working on Roman Polanski films Repulsion and Cul-De-Sac.

In the 1970’s he would work closely with fellow-producers Ned Sherrin and Beryl Vertue and director Bob Kellett on a string of UK comedies including Up Pompeii and The Alf Garnett Saga as well with UK producer John Heyman and Grease and Saturday Night Fever producer Robert Stigwood.

In the same decade Glinwood struck up a fertile collaboration with Rpc boss Jeremy Thomas for whom he would work in a sales and financing capacity on Merry Christmas Mr. Lawrence, The Last Emperor and [link
See full article at ScreenDaily »

Macbeth, Hedda Gabler and Saturday Night Fever make our March Events list

  • Cineplex
Macbeth, Hedda Gabler and Saturday Night Fever make our March Events listMacbeth, Hedda Gabler and Saturday Night Fever make our March Events listScott Goodyer2/28/2017 10:18:00 Am

It's March, so you know what that means? We are almost finished with winter! And heading down the home stretch, what better way to distract yourself from the grey out there then to check out some unique events coming to the big screen this month! From classic screenings to a video game tournament, we've got you and the entire family covered!

March 4th: Lego Dimensions Week One

Cineplex is bringing Lego Dimensions onto the big screen! Bring the kids, sign up for the tournament, play Battle Arenas and win some great prizes!!

For the first time in a Lego video game, Battle Arenas allow players to take their favourite characters into battle and compete with up to 3 friends head-to-head. Play four different battle
See full article at Cineplex »

Saturday Night Fever Director’s Cut coming to Blu-ray in May to celebrate 40th anniversary

Paramount Pictures has announced that it is celebrating the 40th anniversary of the classic Saturday Night Fever this May with a Blu-ray and Digital HD release of the Director’s Cut, featuring four minutes of additional footage, including new scenes that weren’t in the original theatrical version.

The Saturday Night Fever Blu-ray includes both the Director’s Cut and theatrical version of the film, commentary by director John Badham, a five-part look at the film entitled “Catching the Fever,” deleted scenes, behind-the-scenes featurettes, a ‘70s Discopedia, and more. Check out a full list of the features here:

Saturday Night Fever 40th Anniversary Blu-ray

The Saturday Night Fever Blu-ray is presented in 1080p high definition with English 5.1 Dolby TrueHD, French 5.1 Dolby Digital (theatrical version only), Spanish Mono Dolby Digital (theatrical version only), Portuguese Mono Dolby Digital (theatrical version only) and English, English Sdh, French, Spanish and Portuguese subtitles. The Blu-ray
See full article at Flickeringmyth »
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