Yellowbeard, a pirate's pirate, is allowed to escape from prison to lead the authorities to his treasure. He finds that his wife neglected to tell him that he now has a son, 20, and shame ... See full summary »
Raised in a Trappist monastery, the innocent Brother Ambrose sets out to find money to save the bankrupt monastery. His education in worldliness is provided by a hooker. He eventually ... See full summary »
During the 1920s, French Foreign Legion Major William Foster's unit is protecting an archaeological dig, but the discovery of an Arab sacred burial site prompts the angry Arab tribes to attack Foster's small garrison.
Earl Pilcher, Jr., runs an equipment rental outfit in Arkansas, lives with his wife and kids and parents, and rarely takes off his gimme cap. His mother dies, leaving a letter explaining ... See full summary »
James Earl Jones,
The priceless Blue Water sapphire is coveted by the heirs of Sir Hector Geste - his new wife, Flavia; his daughter, Isabel; and his adopted twin sons, heroic Beau and pathetic Digby. When Sir Hector takes to his deathbed (where he remains for the duration of the film), Beau absconds with the stone, to keep it from his stepmother. Flavia pursues him to North Africa, dispensing sexual favors to promote her schemes. Written by
Star Ann-Margret once said of working with Marty Feldman: "I expected him to be loud, but he was very calm. He maintained a sense of humor throughout, during the rains and everything, while those around him were falling apart. You'd never know it was his first film as a director". See more »
When the soldiers are singing as they make their way to the fort, the mouth movements are out of sync with the song being sung. See more »
The priceless Blue Water sapphire is coveted by the heirs of Sir Hector Geste: his new wife, Flavia; his daughter, Isabel; and his adopted twin sons, heroic Beau (Michael York) and pathetic Digby (Marty Feldman).
I love this film, and it fits perfectly in with what Marty Feldman is known for -- the comedy style he perfected with Mel Brooks. I also love how he came up with including himself in the Gary Cooper version, and even having footage from the older version still. This really was the "last remake". (At least, over 35 years on... no one has tried it.)
Spectacular comedy that can only be from Feldman and could only have been done in this era. Very much in the same style as "Young Frankenstein". I highly recommend this.
3 of 3 people found this review helpful.
Was this review helpful to you?
| Report this