The Idiot (1951) - News Poster

(1951)

News

The Eclipse Viewer – Episode 57 – Postwar Kurosawa [Part 2]

http://criterioncast.com/wp-content/uploads/2017/05/57_postwar_kurosawa__part_2_.mp3

This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this first episode of a two-part series, David and Trevor discuss two films (The Idiot and I Live in Fear) from Eclipse Series 7: Postwar Kurosawa.

About the films:

Akira Kurosawa came into his own as a filmmaker directly following World War II, delving into the state of his devastated nation with a series of pensive, topical dramas. Amid Japan’s economic collapse and U.S. occupation, Kurosawa managed to find humor and redemption existing alongside despair and anxiety. In these five early films, which range from political epic to Capraesque whimsy to courtroom potboiler, Kurosawa revealed the artistic range and social acuity that would mark
See full article at CriterionCast »

The Seven Greatest Director/Actor Combos

  • Cinelinx
Some actors and directors go together like spaghetti and meatballs. They just gel together in a rare way that makes their collaborations special. Here is a list of the seven best parings of director and actor in film history.

7: Tim Burton & Johnny Depp:

Edward Scissorhands; Ed Wood; Sleepy Hollow; Charlie and the Chocolate Factory; Corpse Bride; Sweeney Todd; Alice in Wonderland; Dark Shadows

Of all the parings on this list, these two make the oddest films. (In a good way.) Tim Burton is one of the most visually imaginative filmmakers of his generation and Johnny Depp was once the polymorphous master of playing a wide variety of eccentric characters. They were a natural combo. Depp made most of his best films with Burton, before his current ‘Jack Sparrow’ period began. The duo had the knack for telling stories about misfits and freaks, yet making them seem sympathetic and likable.
See full article at Cinelinx »

Blu-ray Review: Akira Kurosawa's Ikiru To Live Again On Criterion

In the early '50s, Akira Kurosawa had the kind of career-high back-to-back film projects that few filmmakers could even approach, much less compete with. With Ikiru (1952) followed by Seven Samurai (1954), Kurosawa made his two best works. The latter continues to rule the roost as the exemplar of his overall canon, but if we are to divide Kurosawa's output in half - period films and non-period films - I'd argue that Ikiru is the director's zenith for projects set in the present day. That's an enormous accomplishment, and if you consider that Ikiru, in turn, follows immediately upon the director's misguided adaptation of Dostoyevsky's The Idiot, Ikiru becomes even more impressive. (Ikiru, too, is very loosely based on a Dostoyevsky story - The Death...

[Read the whole post on twitchfilm.com...]
See full article at Screen Anarchy »

Setsuko Hara, Japanese Screen Legend, Dies at 95

  • Vulture
Setsuko Hara, Japanese Screen Legend, Dies at 95
Setsuko Hara, a Japanese actress best known for her work in the films of Yasujiro Ozu, died of pneumonia on September 5, her family revealed to the press today. She was 95. Perhaps best known for playing a widow who befriends the parents of her late husband in Tokyo Story, Ozu's 1953 masterwork, Hara also appeared in several other iconic postwar films before retiring from public life at the age of 42.Born Masae Aida in Yokohama in 1920, Hara made her screen debut at 15 in Don't Hesitate, Young Folks (1935), and later starred in the German-Japanese propaganda film The Daughter of the Samurai in 1937. After World War II, Hara worked with Akira Kurosawa, in No Regrets for Our Youth (1946) and Hakuchi (1951) (the director's adaptation of Dostoevsky's The Idiot), and Kozaburo Yoshimura, in A Ball at the Anjo House (1947). In 1949, she appeared in her first Ozu film, Late Spring, which marked the beginning of an artistic
See full article at Vulture »

Daily | Setsuko Hara, 1920 – 2015

  • Keyframe
"Legendary actress Setsuko Hara, who starred in the Yasujiro Ozu movie Tokyo Story, died of pneumonia on Sept. 5 at a hospital in Kanagawa Prefecture, her family said Wednesday," reports the Nikkei Asian Review. "She was 95." Nick Pinkerton in the Voice in 2011: "Born Masae Aida, Hara was the very image of ravishing fortitude; the actress met the head-on gaze of Ozu’s camera with her headlamp eyes in six films, made four with Mikio Naruse, and played against type in the bad-girl Anastassya role in Akira Kurosawa’s 1951 The Idiot." We're collecting remembrances and tributes. » - David Hudson
See full article at Keyframe »

Luchino Visconti’s Masterpiece ‘Rocco and His Brothers’ Gets Theatrical Re-Release Trailer

After being a major influence on his work, Martin Scorsese worked with Milestone Films to bring forth a stellar-looking restoration of Luchino Visconti’s 1960 classic drama Rocco and His Brothers. After stopping by various festivals, including Tiff and Nyff, it’ll be released in NYC and Los Angeles next month, followed by hopefully a home release.

We now have a new trailer, which is fairly brief, but gives us a glimpse at the restoration while introducing our main ensemble. Starring Alain Delon, Annie Girardot, and Claudia Cardinale, check out the trailer and gorgeous poster (designed by Lauren Caddick) below for the film which kicks off its three-week run at Film Forum on Friday, October 9.

Joining the tragic exodus of millions from Italy’s impoverished south, the formidable matriarch of the Parondi clan (Katina Paxinou, Best Supporting Oscar winner, For Whom the Bell Tolls) and her brood emerge from Milan’s
See full article at The Film Stage »

10 Rising French Talents to Watch!

The Cannes Film festival was an exceptional edition for French films this year. A focus on the rising generation of French actors and directors that have been highlighted in Cannes and will most certainly be the stars of tomorrow was compiled by Unifrance chief Isabelle Giordano.

They are a force to be reckoned with. Unifrance films is ready to bet that you will certainly hear about these ten talented people. They represent the French cinema of today and will soon be on the screens worldwide.

Emmanuelle Bercot

An actress and a director, Emmanuelle Bercot began by enrolling at the Cours Florent drama school and taking dancing lessons after her baccalaureate. She graduated from Femis in 1998, after winning the Prix du Jury at the Cannes Film Festival for her short film "Les Vacances," in 1997. After her first few roles in the films of Jean-François Richet and Michel Deville, her career as an actress took off when Claude Miller gave her one of the main roles in "La Classe de neige" (1998). The following year, she made the headlines with the medium-length film she directed called "La Puce," presented in the selection of Un Certain Regard at Cannes. This film tells of the love affair between a 35-year-old man and a 14-year-old girl, played by Isild Le Besco.

Her first feature-length film, "Clément" (2001), is about the life of a troubled woman who has one adventure after another with various men until she meets a 14-yearold boy. Her second film, "Backstage" (2004), continues to explore teenage angst through a relationship between a hit singer and a young obsessional fan. She earned her first critical and public acclaim with "On My Way" (2013), the third film written by the director for Catherine Deneuve, in which the star plays a woman who has decided to leave everything behind and hit the road in France.

She was indisputably the most talked about person during the Cannes Film Festival 2015, both as an actress and a director. Thierry Frémaux surprised everyone by announcing that "Standing Tall," Emmanuelle Bercot’s fourth feature-length film would open the 68th Cannes Film Festival. Emmanuelle Bercot says that she has rediscovered the social fiber of her beginnings with this tale of juvenile delinquency. After the enthusiastic and unanimous reception of her film, she won the Best Actress Award for her role as a woman under the influence of love in the film "Mon Roi" by Maïwenn, with whom she co-wrote the script for "Polisse," which won the Prix du Jury at the Cannes Film Festival in 2012

Thomas Bidegain

Thomas Bidegain may well be one of the best known French screenwriters in the profession today, but it took him ten years to achieve this status. His career path in film is anything but ordinary. He started out in the 1990s by distributing and producing independent American films: "Ice Storm" by Ang Lee and "Chasing Sleep" by Michael Walker. He came back to France and joined MK2 where he became director of distribution. In 1999, he returned to production for "Why Not." In 2007, he told the story of his attempt to stop smoking in "Arrêter de fumer tue," a personal diary that was turned into a documentary, then a book.

In the meantime, he began screenwriting and worked on several projects. In 2009, he wrote the screenplay for Jacques Audiard’s film, "A Prophet," alongside Nicolas Peufaillit and Abdel Raouf Dafri, which won the Grand Prix du Jury in 2009. He participated in Audiard’s next film, "Rust and Bone" and "Our Children" by Joachim Lafosse. He was also the co-writer for "Saint Laurent" by Bertrand Bonello. Winning a César for the best original script and a César for the best adaptation, he presented "Cowboys" at the Quinzaine des Réalisateurs in Cannes this year, his first film as a director. He is also co-writer of "Ni le ciel ni la terre" by Clément Cogitore, presented during the Semaine de la Critique, as well as co-writer of the script for Jacques Audiard’s latest film, "Dheepan," which won the Palme d’Or.

Louise Bourgoin

Louise Bourgoin attended the Ecole des Beaux Arts for five years, during which she began her career as a model. After she graduated from art school in 2004, she radically changed direction and became a presenter on cable TV. She was Miss Météo in Le Grand Journal on Canal + from 2006 to 2008. Her slot became essential viewing and attracted a wide audience, including the attention of the film industry.

She began her acting career in "The Girl from Monaco" by Anne Fontaine, and her performance earned her a César nomination for Most Promising Actress. This recognition led to a whole series of roles and launched her career in film. She headed the bill of several films in 2010 ("White as Snow" by Christophe Blanc, "Sweet Valentine" by Emma Luchini, and "Black Heaven" by Gilles Marchand). The same year, Luc Besson selected her for the leading role in "The Extraordinary Adventures of Adèle Blanc-Sec."

Since then, Louise Bourgoin has played in film after film, and has taken her first steps in the international scene with her part in the American film "The Love Punch" by Joel Hopkins. She attracted attention at the Cannes Film Festival this year with her unusual role in Laurent Larivière’s first film, "I Am a Soldier," presented at Un Certain Regard.

Anaïs Demoustier

Her passion for acting started at a very young age and rapidly pushed her to take drama classes. She auditioned, when still a teenager, and got her first role alongside Isabelle Huppert in "Time of the Wolf" by Michael Haneke. After this, her career was launched and she played in a series of films among which "L’Année suivante" by Isabelle Czajka, "Hellphone" by James Huth, "The Beautiful Person" by Christophe Honoré, "Sois sage" by Juliette Garcias, "Sweet Evil" by Olivier Coussemacq, "Dear Prudene" by Rebecca Zlotowski, "Snows of Kilimanjaro" by Robert Guédiguian, "Thérèse Desqueyroux" by Claude Miller, "Quai d’Orsay" by Bertrand Tavernier, "Paris Follies" by Marc Fitoussi, etc.

A filmography rich of 30 films for an actress who isn’t 30 years old yet. In 2014, the press talked about the blooming of Anaïs Demoustier because her face and poise became essential to cinema. Present in "Bird People" by Pascale Ferran, "Caprices" by Emmanuel Mouret, "À trois on y va" by Jérôme Bonnell and "The New Girlfriend" by François Ozon, she is Marguerite in the last Valérie Donzelli’s film, "Marguerite et Julien" screened in Official selection in Cannes.

Louis Garrel

The son of actress Brigitte Sy and the director Philippe Garrel, he began his career in film thanks to his father, who started filming him at the age of six in "Emergency Kisses," alongside his mother and his grandfather, Maurice Garrel. He went onto study drama at the Conservatoire National d’Art Dramatique. He made his real cinema debut in 2001 in the film "Ceci est mon corps" by Rodolphe Marconi. Two years later, he played opposite Michael Pitt and the future Bond girl, Eva Green, in "The Dreamers" by Bernardo Bertolucci.

He then starred in another of his father’s films, "Regular Lovers". His performance earned him the César for the Most Promising Actor in 2005. Since then, he has played alongside the greatest, such as Isabelle Huppert in "Ma mère" by Christophe Honoré. This marked the beginning of a long collaboration between the filmmaker and the actor. They worked together in the film "In Paris" with Romain Duris, then in 2007 in "Love Songs" with Ludivine Sagnier, in "The Beautiful Person" with Léa Seydoux, in "Making Plans" for Lena with Chiara Mostroianni and, finally, in " Beloved" with Catherine Deneuve. He also topped the bill with Valéria Bruni Tedeschi in "Actresses," whom he worked with again in 2013 in "A Castle in Italy."

In 2010, he directed a short film, "The Little Tailor," in which he directed Léa Seydoux. He performed once again in one of his father’s films, "A Burning Hot Summer," followed by "Jealousy." In 2014, he starred in Bertrand Bonello’s film "Saint Laurent," a role which led to another César nomination, but this time in the best supporting role category. His first feature-length film, "Two Friends," presented at a Certain Regard, was applauded by the critics. He also starred in "Mon Roi," Maïwenn’s fourth feature-length film, alongside Emmanuelle and Vincent Cassel, presented as part of the official selection.

Guillaume Gouix

After studying at the Conservatoire in Marseille and the Ecole Régionale d’Acteur de Cannes, Guillaume Gouix began his career in television. He played the male lead in "The Lion Cubs," by Claire Doyon, in 2003. Noted for his performance, especially the highly physical aspect of it and his intense gaze, he then played a series of supporting roles as a young hoodlum in "Les Mauvais joueurs" by Frédéric Balekdjian and in "Chacun sa nuit," by Jean-Marc Barr and Pascal Arnold. He featured in the 2007 war film "Intimate Enemies" by Florent Emilio Siri, thus confirming his taste for complex characters.

The following year, he was applauded for his performance in the film "Behind the Walls" by Christian Faure. In 2010, he starred in "22 Bullets" by Richard Berry and in 2011, he established his reputation with roles in "Nobody Else But You" by Gérald Hustache-Mathieu, "Et soudain, tout le monde me manque" by Jennifer Devoldere, and "Jimmy Rivière," Teddy Lussi-Modeste’s film debut.

He also appeared in "Midnight in Paris" by Woody Allen. He more recently starred in "Attila Marcel," by Sylvain Chomet, in which he played the lead role, in "French Women" by Audrey Dana, and "The Connection" by Cédric Jimenez with Jean Dujardin and Gilles Lelouche. He performed in three films presented at Cannes this year ("Les Anarchistes" by Elie Wajeman, which opened the Semaine de la Critique, "La Vie en grand" by Mathieu Vadepied, which closed the week, and in "Enragés" by Eric Hannezo, screened at the Cinéma de la Plage). He also directed his first short film "Alexis Ivanovitch, vous êtes mon héros" in 2011 and will soon start on a feature-length film, which is currently being written. He will be topping the bill in 2015 with "Braqueurs," a thriller by Julien Leclercq.

Ariane Labed

Born in Greece to French parents, Ariane Labed has always navigated between her two countries. She studied drama at the University of Provence and began her acting career treading the boards. After setting up a company combining dance and theater, Ariane Labed returned to live in Greece where she played at the National Theater of Athens. 2010 was the year of her first film, "Attenberg," directed by Athiná-Rachél Tsangári. "Alps" by Yorgos Lanthi-mos, the following year, confirmed the talent of this strangely charming actress. Two years later, she starred in "Before Midnight" by Richard Linklater where she played the role of Anna. The follow-up to "Before Sunrise" and "Before Sunset," this third part of the saga was a great success, making Labed known to a wider audience.

In 2014, she played a young sailor in "Fidelio, Alice’s Odyssey," who is torn between faithfulness and her desire to live her life. Winning the best actress award at the Locarno Film Festival and nominated for a César, the French actress gives a brilliant performance in Lucie Borleteau’s first feature-length film. She joined Yorgos Lanthimos in Cannes in 2015, where he won the Prix du Jury for his film "The Lobster."

Vincent Macaigne

Vincent Macaigne is the leading light in young French cinema. He joined the Conservatoire National Supérieur d’Art Dramatique in Paris in 1999, appearing on stage and assuming the role of director. His free adaptations of the great classics of literature and drama earned him public and critical acclaim. He directed "The Idiot" by Dostoïevski and presented "Au moins j’aurai laissé un beau cadavre in Avignon," inspired by Hamlet. He also rapidly made a name for himself in demanding art-house films. In 2001, he was seen for the first time in "Replay" by Catherine Corsini. In 2007, he starred in "On War" by Bertrand Bonello and in 2010, in "A Burning Hot Summer" by Philippe Garrel.

Since 2011, Vincent Macaigne’s presence in short, medium and full-length films has gradually increased. Faithful to his directors, he has starred in several of their films. As is the case with his friend Guillaume Brac, who directed him in "Le Naufragé," "Tonnerre" and "Un monde sans femmes." He was awarded the Grand Prix and the Prix Télérama at the Clermont-Ferrand International Short Film Festival, and the Prix Lutin for Best Actor in this film. Under the direction of Vincent Mariette, he played in "Les Lézards" then "Fool Circle." In 2013, we find the funny and touching thirty-something in "La fille du 14 juillet" by Antonin Peretjatko, "Age of Panic" by Justine Triet, and "2 Autumns, 3 Winters" by Sébastien Betbeder.

He was discovered by the general public at the 2013 Cannes Film Festival. Considered a figurehead of the revival of French cinema, Vincent has drawn the attention of the Cahiers du Cinéma, and even the British newspaper The Observer, which referred to him as the “new Gérard Depardieu”. In 2011, he directed "What We’ll Leave Behind," a very well-received medium-length film which won the Grand Prix at the Clermont-Ferrand Festival. He also starred in Mia Hansen-løve’s 2014 film "Eden." He plays one of the main roles in the actor Louis Garrel’s first feature-length film, "Two Friends," presented during the Semaine de la Critique. He also featured in his 2011 film, La Règle de trois.

Vimala Pons

From the Conservatoire National Supérieur d’Art Dramatique, where she attended drama classes even though she wanted to be a screenwriter, to circus tents, Vimala Pons is an acrobat in all senses of the word. The 29-year-old actress has established her physical and poetic presence in French art-house films. She began her career in film with Albert Dupontel in "Enfermés dehors" in 2006. She then starred in "Eden Log" by Franck Vestiel in 2007, then in "Granny’s Funeral" by Bruno Podalydès in 2012.

Since then, we have seen her cross France in a little blue dress in "La Fille du 14 juillet," (she plays the girl) by Antonin Peretjatko, and changing into a lioness in "Métamorphoses," by Christophe Honoré. The impetuous muse of French independent film, Vimala Pons played in "Vincent" by Thomas Salvador this year. The actress has made a name for herself in 2015, in particular with "Comme un avion" by Bruno Podalydès, "Je suis à vous tout de suite" by Baya Kasmi, "La vie très privée de Monsieur Sim" by Michel Leclerc, and "L’Ombre des femmes" by Philippe Garrel (presented at the Quinzaine des Réalisateurs this year in Cannes). She has also begun an international career, with a leading role in Paul Verhoeven’s latest film, "Elle."

Alice Winocour

The director Alice Winocour started out at Femis. After going into law, she returned to film and won three prizes for her short film "Kitchen: Prix TV5" for the best French-language short film, best international short film and the Silver Bear at the Festival of Nations (Ebensee). For "Magic Paris," she was awarded the jury prize at the St. Petersburg International Documentary, Short Film and Animated Film Festival.

She continued her career by writing the script for the film "Ordinary," by Vladimir Perisic. At the Cannes Film Festival 2012, Alice Winocour made a marked entry in the international arena with a film by a woman about women and the unchanging way of looking at them. In the film "Augustine," we are told the story of a professor and his patient, played by Vincent Lindon and Soko respectively. In 2015, she brought out her second feature-length film, "Maryland," which was screened in the Un Certain Regard section at the 68th Cannes Film Festival. She is also the co-writer of "Mustang," by Denis Gamze Ergüven, presented at the Quinzaine des Réalisateurs.
See full article at Sydney's Buzz »

Blu-ray Review: ‘The Gambler’ Still Wins on Blu-ray

Chicago – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

Rating: 4.0/5.0

Such provides a nice surprise with the drama “The Gambler,” which finds him in a role the utilizes his charisma and acting skills, within a tale that doesn’t involve directors Michael Bay or Seth McFarlane. Playing a college professor who gambles his life away, the film is a showcase of his talents, like his compelling motormouth delivery, or a stable cool that he maintains even when his character is falling apart. Here’s a film that offers a scene of Marky Mark rambling about Camus,
See full article at HollywoodChicago.com »

6 compelling reasons 'It Follows' is a new horror classic

  • Hitfix
6 compelling reasons 'It Follows' is a new horror classic
With more than $8.5 million at the box office over four weekends, writer/director David Robert Mitchell's moody new horror film "It Follows" may not be a sleeper hit on the order of a bona fide blockbuster like "Scream," but since its release in only four theaters in early March, it's transformed into a tidy small-scale success that no one could have predicted just a month ago. Like Wes Craven's 1996 self-aware slasher, the critically-acclaimed fright flick is a true word-of-mouth sensation; it raked in so much money in limited release that distributor Radius-twc put off the film's planned VOD debut and gave it a wide release in over 1,600 theaters. To what can we attribute this unlikely good fortune? For starters, "It Follows" is good -- very good. Along with Jennifer Kent's masterful 2014 supernatural scare machine "The Babadook," "It Follows" has arrived like a breath of fresh air in
See full article at Hitfix »

‘Big Bang Theory’ Star Jim Parsons on His Road to the Hollywood Walk of Fame

‘Big Bang Theory’ Star Jim Parsons on His Road to the Hollywood Walk of Fame
When Jim Parsons first strolled the Hollywood Walk of Fame as a teenage tourist from Houston, he didn’t have the sort of epiphany Sheldon Cooper lives for.

“I already enjoyed acting,” Parsons says on a break from shooting “The Big Bang Theory.” But “there was not some sort of sense of ‘maybe one day.’ It did not even enter my mind.”

Parsons is delighted, in his own quiet way, to become a name on Hollywood Boulevard. “I like how all-encompassing it is,” Parsons says. “It could be radio announcers you have never seen before or very, very visible and famous actors.”

The busy thesp is preparing for his third run on Broadway in the spring, but his star is in the TV category for playing the socially maladroit, brilliant physicist Cooper on the mega-hit CBS comedy. During its eight seasons, Parsons has continued to expand the role, though he
See full article at Variety - TV News »

The Devil, Probably

  • MUBI
A review of "The Devil, Probably" by Mireille Latil-Le-Dantec. Originally published in Issue 77, July-August 1977, of Cinématographe. Translation by Ted Fendt. Thanks to Marie-Pierre Duhamel.

"I challenge you all now, all you atheists. With what will you save the world, and where have you found a normal line of progress for it, you men of science, of co-operation, of labour-wage, and all the rest of it?

With credit? What's credit? Where will credit take you? [...] Without recognizing any moral basis except the satisfaction of individual egoism and material necessity! [...] It's a law, that's true; but it's no more normal than the law of destruction, or even self-destruction. [...] Yes, sir, the law of self-destruction and the law of self-preservation are equally strong in humanity! The devil has equal dominion over humanity till the limit of time which we know not. You laugh? You don't believe in the devil? Disbelief in the devil is a French idea,
See full article at MUBI »

Nd/Nf Review - Richard Ayoade's 'The Double' Is A Surprising & Refreshing Second Feature From The Filmmaker

Director Richard Ayoade has already proven with his first feature Submarine a skill for literary adaptation, a skill for setting distinct and palpable tones, a skill for creating offbeat, but endearing characters who say and do things that are at once fascinating, entertaining, and vaguely disconcerting. With his latest movie, The Double, the British filmmaker (son of a Norwegian mother and Nigerian father) has sharpened those skills to a point, crafting a cinematic world that is even more distinct and more disconcerting than his first venture.  Based, after a fashion, on Dostoyevsky's The Idiot, the film stars Jesse Eisenberg as Simon, a hapless young man who lives an invisible life....
See full article at ShadowAndAct »

BFI London Film Festival 2013: ‘The Double’ an ambitious and darkly funny second feature

The Double

Written & Directed by Richard Ayoade

UK, 2013

The Russian author Fyodor Dostoyevsky has been well served by cinema, especially his major works Crime & Punishment, The Brothers Karamazov, and The Idiot, all of which have received numerous adaptations throughout the decades. The latter was lavished with a recent Estonian take, after receiving a Japanese decoding by Kurosawa no less, as well as Indian and (naturally) Soviet versions. It has taken until 2013 for a filmmaker brave enough to approach Dostoyevsky’s binary second novel; there is a certain numerical sense of doubling, since Richard Ayoade has decided to allocate his second film as The Double, an ambitiously promising plea following Submarine back in 2010.

Abandoning the novel’s Russian setting, Ayoade’s take is set in some strange alternate Orwellian state, complete with slightly outsized costumes and angled hairstyles, creaking teak-panelled analogue technology, greyly oblique architecture and a smothering suffocation of legislative red tape.
See full article at SoundOnSight »

DVD Review: 'Au Hasard Balthazar' & 'Mouchette'

  • CineVue
★★★★★ Rereleased on DVD by Artificial Eye come two of Robert Bresson's most remarkable achievements. Au Hasard Balthazar (1966) and Mouchette (1967) share many common themes, presenting us with a taut and distressingly bleak portrait of human frailty and a world where redemption is possible only through death. Jean-Luc Godard once wrote, "Robert Bresson is French cinema, as Dostoyevsky is the Russian novel and Mozart is German music." Bresson's uniquely spiritual aesthetic was ultimately his own personal response to the question' What is cinema?', challenging the impotence of post-war French cinema.

Bresson presents us with two incredibly theoretical studies of humanity, creating scenarios where the most ordinary and pedestrian of occurrences hold spiritual meaning. These moments acquire intense significance and delicately tune the unsolicited eyes and ears of the audience towards the gentle reverberations of sorrow and hopelessness which throb beneath the tainted veneer of modern life. In the first, Au Hasard Balthazar,
See full article at CineVue »

4 Novels That Prove Dostoevsky Was One Of The All-Time Best Authors

Fyodor Dostoevsky is one of the most famous names in world literature. Author of eleven novels, some of which are among the most acclaimed in history, Dostoevsky has been praised for his superb grasp of psychology and his interest in both philosophical and religious themes.

He was born in Moscow in 1821 and published his first novel, Poor Folk, in 1846. In 1849, he was arrested for his involvement with a group of radical liberal utopians and sentenced to death by firing squad. In pure literary fashion, Dostoevsky was spared minutes before his sentence was to be carried out and instead was sentenced to 4 years labor in Siberia. After his release, he struggled for years financially but later in life he became known for his writing abilities and produced some of the masterpieces of western literature.

Although he wrote eleven novels in total, Dostoevsky is primarily remembered for five: Notes from Underground, Crime and Punishment,
See full article at Obsessed with Film »

Interview: Talking ‘Oblivion’ with Morgan Freeman and Olga Kurylenko

  • LRM Online
Tom Cruise stars in ‘Oblivion’ and original and groundbreaking cinematic event from the visionary director of ‘Tron: Legacy’. On a spectacular future Earth that has evolved beyond recognition, one man’s confrontation with the past will lead him on a journey of redemption and discovery as he battles to save mankind. It’s 2077 and Jack Harper (Tom Cruise) serves as a security repairman stationed on an evacuated Earth. Living in and patrolling the breathtaking skies from thousands of feet above, Jack’s soaring existence is brought crashing down after he rescues a beautiful stranger from a downed spacecraft. Drawn to Jack through a connection that transcends logic, her arrival triggers a chain of events that forces him to question everything he thought he knew. The fate of humanity now rest solely in the hands of a man who believed our world was soon to be lost forever. ‘Oblivion’ stars Tom Cruise,
See full article at LRM Online »

International Film Festival of Kerala announces line up

The 17th edition of the International Film Festival of Kerala (Iffk) has announced its lineup. The festival will run from 7th to 14th December, 2012 in Thiruvananthapuram, Kerala.

Some of the highlights of the lineup are festival favourites of the year Amour, Chitrangada, Samhita, The Sapphires, Drapchi, Miss Lovely, Me and You, Celluloid Man, and Baandhon.

Fourteen films will screen in the Competition section while seven contemporary films will be screened in “Indian Cinema Now” section.

Complete list of films:

Competition Films

Fourteen feature films from Asia, Africa and Latin America will compete for the coveted “Suvarna Chakoram” (Golden Crow Pheasant) and other awards.

Always Brando by Ridha Behi (Tunisia)

Inheritors of the Earth by T V Chandran (India)

A Terminal Trust by by Masayuki Suo (Japan)

Shutter by Joy Mathew (India)

Today by Alain Gomis (Senegal-France)

The Repentant by Merzak Allouache (Algeria)

Sta. Niña by Manny Palo (Philippines)

Present Tense
See full article at DearCinema.com »

The Films Of Robert Bresson: A Retrospective

  • The Playlist
“We are still coming to terms with Robert Bresson, and the peculiar power and beauty of his films,” Martin Scorsese said in the 2010 book “A Passion For Film,” describing the often overlooked French filmmaker as “one of the cinema’s greatest artists.”

But while he may be revered by some as the finest French filmmaker bar Jean Renoir, outside hardcore cinephile circles he and his films are virtually unknown (perhaps regarded as too opaque or nebulous). Just consider the fact that almost every definitive book on the elusive director was published during the aughts to feel the full truth of Scorsese's statement about how we're still in the process of appreciating and understanding his life and work. Even Bresson’s actual birthdate is contested, adding further the ambiguities surrounding the director.

“Make visible what, without you, might perhaps never have been seen,” the meticulous Bresson once famously said, hinting at
See full article at The Playlist »

My favourite film: Seven Samurai

Laurence Topham continues our writers' favourite film series with Kurosawa's epic about 16th-century Japanese swords-for-hire

Does this review cut it? Write your own here or have your say in the comments section below

A group of samurai, along with a motley gang of armed villagers, await the arrival of 13 formidable bandits on horseback. With piercing rain beating down on them, Kambei, the leader of the samurai, solemnly says: "This is the final battle." With hellish cries, the mounted invaders charge through the black mud and into the village, where they are annihilated by a frenzy of makeshift spears and deadly arrows. Samurai swords cut into the horses, bodies drop into the mud – mud that lurched off the screen and into my socks.

Long before I was to experience the technical marvels of 3D, I was experiencing something much more cinematically powerful – the percussive power of Akira Kurosawa's editing. The subtitles didn't even register.
See full article at The Guardian - Film News »

Why Hollywood can't get enough Akira Kurosawa remakes

Akira Kurosawa remakes such as The Magnificent Seven led a Hollywood revolution in the 1960s – and now a new wave of Us adaptations could be coming

Akira Kurosawa and Hollywood may find themselves working together soon for the first time since the late director's abortive involvement in the war epic Tora! Tora! Tora!, one of several traumatic episodes that led him to attempt suicide in 1972. The remake rights to the lion's share of his movies and unproduced screenplays have been granted by the Akira Kurosawa 100 Project to the Los Angeles-based company Splendent, whose chief, Sakiko Yamada, told Variety he aimed to "help contemporary film-makers introduce a new generation of moviegoers to these unforgettable stories". The Kurosawa Project said it had received "countless" requests from Us and European film-makers, "expressing intense interest in remaking Kurosawa's movies".

The prospect of Kurosawa's influence being funnelled through Hollywood again is enticing; after all, the
See full article at The Guardian - Film News »
loading
An error has occured. Please try again.

See also

Showtimes | External Sites