Little Women is a "coming of age" drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War, the girls father is away serving as a minister to the troops... See full summary »
Kim, a young boy living on his own on the streets of India, is actually the son of a British officer. He meets a lama, a holy man, and devotes himself to his tending. But when British administrators discover his birthright, he is placed in a British school. His nature, however, is opposed to the regimentation expected for the son of a British soldier, and he rebels. His familiarity with Indian life and his ability to pass as an Indian child allows him to function as a spy for the British as they attempt to thwart revolution and invasion of India. Rejoining his holy man, Kim (with the help of daring adventurer Mahbub Ali) takes on a dangerous mission. Written by
Jim Beaver <firstname.lastname@example.org>
According to Dean Stockwell in a 1985 interview, "There were uglies and there were beauties. For me, Errol Flynn was the best. I didn't know anything about sex or what manhood was - and he opened that door for me." See more »
When Kim falls through the matted ceiling into the harem, the cutaway marks in the mat are visible before he hits it. See more »
[as they are about to cross a stream, Kim spots a cobra on a rock]
No, holy one, don't go there. See - a cobra, king cobra!
[Kim picks up a large stone to kill it]
No, let him live out his life! He's bound on the wheel of life as we are. Great evil this soul must have done to be reborn in this shape!
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The "I" in the title is dotted by a crescent. See more »
I watched this film on Turner Classics as I had been entranced by it as a child, and wanted to see how it stood up to today's expectations. I was very pleasantly surprised to see that it was a rolicking good adventure yarn, that would be an ideal film for the family to watch together after a holiday dinner. As I had a tape of the TV version, with Peter O'Tool as the Llama, I was able to compare the two, which is why I felt that the 1950 version has worn well.
The colour is excellent, the acting is very good, and the locations shots in India lend a great deal of authenticity to the production. I realise that many of today's audience will find the lack of sex and violence make for a tedious film, but it is precisely the lack of obvious sex and violence, it is implied rather than overt, which makes for a good family film. In fact it was a relief to see a film that did not include the obligatory chase and fisticuffs that we have seen in every film and TV series in the last 50 years.
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