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Hulu schedule: Here’s what is coming and leaving in February 2018

Hulu schedule: Here’s what is coming and leaving in February 2018
Emmy winners Jeff Daniels (“The Newsroom”) and Alec Baldwin (“30 Rock”) head up the new Hulu original series “The Looming Tower,” which chronicles the rise of Osama Bin-Laden. Also featured in this docudrama about the inter-agency rivalry between the CIA and FBI in the first part of this century are Golden Globe nominees Peter Sarsgaard and Michael Stuhlbarg. The first of the 10 episodes starts streaming on Hulu on Feb. 28.

Before then, Hulu viewers will get a chance to see another acclaimed docudrama, the film “Detroit” by Oscar-winning director Kathryn Bigelow (“The Hurt Locker”). She reteamed with screenwriter Mark Boal, who also picked up an Oscar for “The Hurt Locker,” for this acclaimed film. “Detroit” documents the riots that beset the motor city in the summer of 1967 after the police raid an unlicensed bar on July 23 and arrest the 82 patrons and staff. Over the course of just five days, 43 people died
See full article at Gold Derby »

Oscars flashback: ‘The Hurt Locker’ wins Best Picture after Golden Globes shutout

Oscars flashback: ‘The Hurt Locker’ wins Best Picture after Golden Globes shutout
At this year’s Golden Globes, four films failed to translate any of their nominations into wins. “The Post” had six bids but was blanked while “Call Me By Your Name” and “Dunkirk” each lost three races and ”Get Out” was bested in two. Do these cross-the-board shutouts by the Hollywood Foreign Press Assn. hurt their hopes with the academy? After all, each of these four films is predicted to score multiple Oscar nominations, including bids for Best Picture.

The producers of these pictures need to remember what happened in 2010, the first year that the academy expanded the Best Picture race from five to 10 nominees. “The Hurt Locker,” which had lost all three of its Globe races, won six Oscars including the top prize. It also took home Academy Awards for Best Director, Best Original Screenplay, Best Film Editing, Best Sound Editing and Best Sound Mixing.

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See full article at Gold Derby »

2018 NAACP Image Awards Praises Ava DuVernay, “Girls Trip,” and More

NAACP Entertainer of the Year DuVernay: Instagram

This year, black actresses and female creators alike dominated the NAACP Image Awards in almost every major category. From Entertainer of the Year to Outstanding Motion Picture, last night’s female wins — and their words — were truly a force to be reckoned with.

Per the official press release, the evening opened with a #Timesup presentation led by Angela Robinson, Kerry Washington, Jurnee Smollett-Bell, Laverne Cox, Lena Waithe, and Tracee Ellis Ross. The ensemble of women urged both the crowd and viewers to become more active voters and, as Cox eloquently put it, “Stand by us. Stand for us. Stand with us.”

The various outstanding performance categories recognized Octavia Spencer (“Gifted”), Tracee Ellis Ross (“black-ish”), and Taraji P. Henson (“Empire”).

Women were also recognized for their work in literature, music, and documentary. Amanda Lipitz’s “Step” received Outstanding Documentary.

Furthermore, despite its absence at past award shows,
See full article at Women and Hollywood »

‘Detroit’ Blu-ray Review

Stars: John Boyega, Will Poulter, Algee Smith, Jacob Latimore, Jason Mitchell, Hannah Murray, Kaitlyn Dever, Jack Reynor, Ben O’Toole | Written by Mark Boal | Directed by Kathryn Bigelow

Kathryn Bigelow’s third collaboration with screenwriter Mark Boal (The Hurt Locker, Zero Dark Thirty) is a powerful, angry drama about racism, police brutality and the complicity of silence. Though it focuses on an incident that took place exactly fifty years ago, it feels horrifyingly relevant today and will leave you shaking with rage.

Detroit begins with white police officers raiding a black, after-hours drinking club in July 1967 and violently mistreating its patrons, an incident that quickly flares up into the Detroit Riots and brings the National Guard to the streets of the city. Meanwhile, at a nearby theatre, aspiring singer Larry (Algee Smith) is devastated when the rioting outside forces the closure of the venue, right before his cusp-of-fame group The Dramatics
See full article at Blogomatic3000 »

The Power and Timeliness of Kathryn Bigelow and Mark Boal’s ‘Detroit’

The following content has been sponsored by Annapurna Pictures. “Detroit,” the latest triumph from the award-winning team of director Kathryn Bigelow and writer Mark Boal, is a story about both 1967 and 2017. Aided by a skilled ensemble cast, the film dramatizes with vivid and visceral precision the horrors of a particular summer night in Detroit, Michigan, striking at the heart of injustices still urgently relevant to the U.S. today. As they did with “The Hurt Locker” and “Zero Dark Thirty,” Bigelow and Boal bring their cinematically intense focus to recent American history, creating a moviegoing experience resembling both drama and documentary. Nominated for four NAACP Awards including Best Film, “Detroit” features a fiercely committed cast of standout performers: John Boyega, Will Poulter, Algee Smith, Anthony Mackie, Jacob Latimore, Hannah Murray, John Krasinski, and more. The cast has been honored with the Actors Fund Community Service Award, recognizing their cohesive ensemble
See full article at Backstage »

Kathryn Bigelow Salutes Her Below-the-Line Colleagues on ‘Detroit’

Kathryn Bigelow Salutes Her Below-the-Line Colleagues on ‘Detroit’
Annapurna’s “Detroit” is being re-released in theaters today, Dec. 1, and awards screeners were recently sent out. The film was written by Mark Boal and directed by Kathryn Bigelow, their third collaboration after “Hurt Locker” (in which both won Oscars, with the film named best picture) and “Zero Dark Thirty.” In an email to Variety, Bigelow cited the work of her below-the-line colleagues on “Detroit,” set during the 1967 uprising.

Production designer Jeremy Hindle

Jeremy Hindle is a master craftsman. Sifting through hundreds of photographs from the time period, Jeremy can identify the handful of frames necessary to create an entire three-dimensional universe in which the story may live, and out of a single image he creates a color palette which will influence and guide all aspects of the film, from photography to sets to wardrobe. Jeremy not only provides a visual landscape, but he burrows far beneath the surface, meeting with people from the period, discovering the narrative
See full article at Variety - Film News »

Past Is Prologue in Awards Contenders Based on Historical Moments

Past Is Prologue in Awards Contenders Based on Historical Moments
This year’s awards contenders are hoping to take home prizes in 2018, but many are firmly affixed in the past. Stories this year are being told about Amazon jungle explorers (“The Lost City of Z”), World War II in Europe (“Darkest Hour” and “Dunkirk”), a 1967 inner-city riot (“Detroit”), Queen Victoria’s friendship with a citizen of one of her colonies (“Victoria & Abdul”) and post-wwii veterans in America’s deep South (“Mudbound”).

That’s hardly unusual; movies frequently plumb the past for its rich store of stories, told and untold, particularly during awards season. And each of these films have found tales to spin from history that are both familiar and fresh. But none of these films — in fact, few period films, aside from documentaries — are merely the sum of their parts. Whether audiences are aware of it or not, filmmakers are not simply tugging narrative threads from history’s tapestry: there’s a much more subtle art at
See full article at Variety - Film News »

The Academy Governors Awards: Angelina Jolie and Agnes Varda Danced as Hollywood Celebrated Oscars

The Academy Governors Awards: Angelina Jolie and Agnes Varda Danced as Hollywood Celebrated Oscars
“Shitty is shitty,” new Academy governor Whoopi Goldberg told me of the vote to expel a member for the second time in AMPAS’ 90-year history. As everyone in Hollywood struggles to keep their head straight amid a flood of sexual harassment scandals, this year’s crop of Oscar contenders braved Hollywood and Highland traffic snarls to charm a room full of Academy of Motion Picture Arts and Sciences (AMPAS) members, including the 54 Governors who voted for this year’s five Honorary Oscars, presented at the 9th (untelevised) Governors Awards.

Behind the scenes, Oscar campaigners had pushed their clients as presenters. Clearly, it was a no-brainer to put Jennifer Lawrence (“mother!”) on stage to present to her “Hunger Games” costar Donald Sutherland (“M.A.S.H.,” “Klute,” “Don’t Look Now”), who never scored one Oscar nomination. “It’s odd that he never won an Oscar,” said Lawrence, thanking him for his generosity and
See full article at Thompson on Hollywood »

The Academy Governors Awards: Angelina Jolie and Agnes Varda Danced as Hollywood Celebrated Oscars

  • Indiewire
The Academy Governors Awards: Angelina Jolie and Agnes Varda Danced as Hollywood Celebrated Oscars
“Shitty is shitty,” new Academy governor Whoopi Goldberg told me of the vote to expel a member for the second time in AMPAS’ 90-year history. As everyone in Hollywood struggles to keep their head straight amid a flood of sexual harassment scandals, this year’s crop of Oscar contenders braved Hollywood and Highland traffic snarls to charm a room full of Academy of Motion Picture Arts and Sciences (AMPAS) members, including the 54 Governors who voted for this year’s five Honorary Oscars, presented at the 9th (untelevised) Governors Awards.

Behind the scenes, Oscar campaigners had pushed their clients as presenters. Clearly, it was a no-brainer to put Jennifer Lawrence (“mother!”) on stage to present to her “Hunger Games” costar Donald Sutherland (“M.A.S.H.,” “Klute,” “Don’t Look Now”), who never scored one Oscar nomination. “It’s odd that he never won an Oscar,” said Lawrence, thanking him for his generosity and
See full article at Indiewire »

Why This Could Be the Year That Best-Director Oscar Nominations Finally Tip Toward Women

Why This Could Be the Year That Best-Director Oscar Nominations Finally Tip Toward Women
Kevin Spacey’s Oscar chances, obliterated. Dustin Hoffman’s, gone. While we don’t yet have the hashtag, March 4, 2018 will be remembered as the year that the issue of sexual harassment took center stage at the Dolby Theatre.

If one of the historical perks of Hollywood stardom was the ability to misbehave without consequences, those days are over. Sony pulled Ridley Scott’s AFI Fest closer “All the Money in the World,” which was primed for an awards campaign around Spacey, now accused of multiple instances of sexual harassment and abuse.

While Hoffman presented a Hollywood Film Award Sunday night, it’s unlikely that his crusty New York patriarch will be in the running for “The Meyerowitz Stories (New and Selected)” after multiple harassment claims — in addition to Meryl Streep’s own account of how he introduced himself by grabbing her breast. (Streep will move into Oscar mode as
See full article at Thompson on Hollywood »

Why This Could Be the Year That Best-Director Oscar Nominations Finally Tip Toward Women

  • Indiewire
Why This Could Be the Year That Best-Director Oscar Nominations Finally Tip Toward Women
Kevin Spacey’s Oscar chances, obliterated. Dustin Hoffman’s, gone. While we don’t yet have the hashtag, March 4, 2018 will be remembered as the year that the issue of sexual harassment took center stage at the Dolby Theatre.

If one of the historical perks of Hollywood stardom was the ability to misbehave without consequences, those days are over. Sony pulled Ridley Scott’s AFI Fest closer “All the Money in the World,” which was primed for an awards campaign around Spacey, now accused of multiple instances of sexual harassment and abuse.

While Hoffman accepted a Hollywood Film Award Sunday night, it’s unlikely that his crusty New York patriarch will be in the running for “The Meyerowitz Stories (New and Selected)” after multiple harassment claims — in addition to Meryl Streep’s own account of how he introduced himself by grabbing her breast. (Streep will move into Oscar mode as
See full article at Indiewire »

‘Detroit’s Will Poulter On His Visceral Response To Historical Drama – The Contenders London Video

‘Detroit’s Will Poulter On His Visceral Response To Historical Drama – The Contenders London Video
“It was kind of frightening to come across the script in 2017 and have it bear such a strong and unfortunate resemblance to the events that we've seen all too recently, as far as police brutality is concerned, and innocent people of color dying at the hands of law enforcement,” Will Poulter said at Deadline’s The Contenders London event of Detroit, the latest minutely observed historical drama from Oscar winners Kathryn Bigelow and Mark Boal. Set during the 1967 Detroit
See full article at Deadline »

Annapurna Moves Toward Bond 25 With New MGM Distribution Deal

Annapurna Moves Toward Bond 25 With New MGM Distribution Deal
When Annapurna Pictures moved into distribution, Hollywood viewed the move as bold but bizarre. In a market where indies struggle to survive, it was a strange time to reinvent a dying economic model. Now after several costly, high-profile failures, Annapurna and MGM will work together to distribute their films theatrically in the U.S.

Annapurna hired veteran talent — from ex-Weinstein distribution president Erik Lomis and studio marketing exec Marc Weinstock to Focus Features’ publicity chief Adrienne Bowles — but they inexplicably chose “Detroit” as its first release. From director Kathryn Bigelow and writer Mark Boal, the Oscar-winning team behind “The Hurt Locker” and Annapurna’s “Zero Dark Thirty,” this intense recreation of the 1967 race riot in Detroit is a tough sit and demanded special handling from the neophyte distributor.

The movie (Metascore: 78) opened well in 20 theaters in late July, but collapsed when it went wide to 2,800 screens the following weekend. (It topped out at $16.8 million domestic.
See full article at Thompson on Hollywood »

Annapurna Moves Toward Bond 25 With New MGM Distribution Deal

Annapurna Moves Toward Bond 25 With New MGM Distribution Deal
When Annapurna Pictures moved into distribution, Hollywood viewed the move as bold but bizarre. In a market where indies struggle to survive, it was a strange time to reinvent a dying economic model. Now after several costly, high-profile failures, Annapurna and MGM will work together to distribute their films theatrically in the U.S.

Annapurna hired veteran talent — from ex-Weinstein distribution president Erik Lomis and studio marketing exec Marc Weinstock to Focus Features’ publicity chief Adrienne Bowles — but they inexplicably chose “Detroit” as its first release. From director Kathryn Bigelow and writer Mark Boal, the Oscar-winning team behind “The Hurt Locker” and Annapurna’s “Zero Dark Thirty,” this intense recreation of the 1967 race riot in Detroit is a tough sit and demanded special handling from the neophyte distributor.

The movie (Metascore: 78) opened well in 20 theaters in late July, but collapsed when it went wide to 2,800 screens the following weekend. (It topped out at $16.8 million domestic.
See full article at Indiewire »

Oscars Not So White: ‘Get Out’ and ‘Mudbound’ Lead Diverse 2018 Contenders

It would be lovely to think that last year’s “Moonlight” Oscar wins presaged a long and permanent shift in Hollywood movie culture. At the heart of the Academy of Motion Picture Arts and Sciences’ complex diversity issue is how much the Oscars reflect the way that the Academy likes to view itself. That helps to explain why the Academy voters did far better with their 2017 Oscar nominations than the year before, when their 6,000 members failed to nominate any actors of color at all.

Read More:Barry Jenkins and Jordan Peele Among the 774 Invited to Join the Academy As It Pushes for Inclusion

The Academy’s recent diversity push added more younger and international members; its 7,000 voters are now 28 percent women and 13 percent people of color. But will the new membership shifts make a major impact on the 2018 Oscar nominations? Despite the new voters, the organization is still under the
See full article at Thompson on Hollywood »

Oscars Not So White: ‘Get Out’ and ‘Mudbound’ Lead Diverse 2018 Contenders

It would be lovely to think that last year’s “Moonlight” Oscar wins presaged a long and permanent shift in Hollywood movie culture. At the heart of the Academy of Motion Picture Arts and Sciences’ complex diversity issue is how much the Oscars reflect the way that the Academy likes to view itself. That helps to explain why the Academy voters did far better with their 2017 Oscar nominations than the year before, when their 6,000 members failed to nominate any actors of color at all.

Read More:Barry Jenkins and Jordan Peele Among the 774 Invited to Join the Academy As It Pushes for Inclusion

The Academy’s recent diversity push added more younger and international members; its 7,000 voters are now 28 percent women and 13 percent people of color. But will the new membership shifts make a major impact on the 2018 Oscar nominations? Despite the new voters, the organization is still under the
See full article at Indiewire »

‘Detroit’ Star Will Poulter On Police Brutality & “The Blue Code Of Silence” – The Contenders London

‘Detroit’ Star Will Poulter On Police Brutality & “The Blue Code Of Silence” – The Contenders London
Will Poulter arrived at Deadline's inaugural The Contenders London event to assure the audience at BAFTA that the charming, easy-going star of We're The Millers had not crossed over to the dark side after his all-too-convincing performance as racist cop Krauss in Kathryn Bigelow's riot-set period drama Detroit. Written by Bigelow's regular collaborator Mark Boal, who scripted Bigelow's 2008 Oscar-winner The Hurt Locker as well as the 2012 follow-up Zero Dark Thirty, the…
See full article at Deadline »

Who Gets to Tell Whose Story?: Ifp Week Filmmakers and Funders Talk the Politics of Representation in 2017

When Kathryn Bigelow’s Detroit came out this summer, some charged that it shouldn’t have been made by Kathryn Bigelow. Critics, including rogerebert.com’s Angelica Jade Bastien, felt that the story — about ten Black civilians (and two Caucasians) tortured and, in some cases, killed by racist white cops during the 1967 Detroit riots — should have been told by Black filmmakers. These commentators argued that Bigelow and her screenwriter Mark Boal, both white, not only lacked the perspective to get the events right; they also ran the risk of aestheticizing suffering and the destruction of Black bodies. This is not a new […]
See full article at Filmmaker Magazine »
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