This comedy farce written in verse shows that custom cannot stale Inside No. 9’s infinite variety. Spoilers…
This review contains spoilers.
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In series one’s The Understudy, Inside No. 9 gave us an updated take on Macbeth. Here, Reece Shearsmith and Steve Pemberton put their own twist on Shakespearean comedy with an episode set entirely in a hotel corridor and written entirely in iambic pentameter, the clever sods. Regular brilliance clearly wasn’t presenting these two enough of a challenge.
It’s a challenge they pull off with relish. The writing’s smart and self-aware (“Like this iambic foot, I’m stressed, you’re not”) while the gags are a bawdy delight. Shakespeare never rhymed ‘bum’ with ‘Magnus Magnusson’, but you know he would have done,