Mario Monicelli - News Poster


Big Business Girl

What does a working girl have to do to get ahead, when all she has in her favor is an incredible face, a lavish wardrobe, and a pair of legs to make any executive wolf howl? Loretta Young juggles two egotistical swains, while Joan Blondell shines as an enticing all-pro homewrecker.

Big Business Girl


The Warner Archive Collection

1931 / B&W / 1:37 flat Academy / 74 min. / Street Date September 14, 2017 / available through the WBshop / 21.99

Starring: Loretta Young, Frank Albertson, Ricardo Cortez, Joan Blondell, Frank Darien, Dorothy Christy, Oscar Apfel, Judith Barrett, Mickey Bennett, George ‘Gabby’ Hayes, Virginia Sale.

Cinematography: Sol Polito

Film Editor: Pete Fritch

Written by Robert Lord, story by Patricia Reilly & H.N. Swanson

Produced and Directed by William A. Seiter

Let’s hear it for the Warner Archive Collection’s voluminous vault of early ’30s Warners, MGM and Rko entertainments, which has given us a real education about this era of filmmaking.
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The 100 Greatest Comedies of All-Time, According to BBC’s Critics Poll

After polling critics from around the world for the greatest American films of all-time, BBC has now forged ahead in the attempt to get a consensus on the best comedies of all-time. After polling 253 film critics, including 118 women and 135 men, from 52 countries and six continents a simple, the list of the 100 greatest is now here.

Featuring canonical classics such as Some Like It Hot, Dr. Strangelove, Annie Hall, Duck Soup, Playtime, and more in the top 10, there’s some interesting observations looking at the rest of the list. Toni Erdmann is the most recent inclusion, while the highest Wes Anderson pick is The Royal Tenenbaums. There’s also a healthy dose of Chaplin and Lubitsch with four films each, and the recently departed Jerry Lewis has a pair of inclusions.

Check out the list below (and my ballot) and see more on their official site.

100. (tie) The King of Comedy (Martin Scorsese,
See full article at The Film Stage »

Elsa Martinelli, ‘The Indian Fighter Star,’ Dies at 82

Elsa Martinelli, ‘The Indian Fighter Star,’ Dies at 82
Rome — Italian actress Elsa Martinelli, who starred opposite Kirk Douglas in 1955 western “The Indian Fighter” and went on to gain international recognition working, among others, with directors Mario Monicelli, Roger Vadim, Orson Welles, Howard Hawkes, and Elio Petri died on July 8 in Rome. She was 82.

Born in the Tuscan city of Grosseto, Martinelli moved to Rome in the early 1950’s and started a career as a model, after her beautiful slim physique was noticed by fashion designer Roberto Capucci. She soon appeared in “Vogue” and “Life,” which is where she was noticed by Kirk Douglas’ wife Anne Buydens.

Martinelli in 1954 made her acting debut in Stendhal adaptation “Le Rouge et le Noir,” directed by France’s Claude Autant-Lara.

Her breakout role came the following year in Andre de Toth’s “The Indian Fighter, which Douglas produced.

“Sex in the person of Elsa Martinelli, Italian actress introduced here, and the relationship of her Indian maid character with Douglas
See full article at Variety - Film News »

De Sica and His Dynamic Duo Do What They Do Best: Close-Up on "Yesterday, Today and Tomorrow"

  • MUBI
Close-Up is a column that spotlights films now playing on Mubi. Vittorio de Sica's Yesterday, Today and Tomorrow (1963) is playing January 8 - February 6, 2017 in the United States.Yesterday, Today and Tomorrow (1963), winner of the 1965 Oscar for Best Foreign Film, is a trio of stories directed by Vittorio De Sica in the omnibus fashion so popular at the time (just the year prior, he had contributed to the similarly structured Boccaccio ‘70, alongside Federico Fellini, Mario Monicelli, and Luchino Visconti). Spearheaded by international super-producer Carlo Ponti—helping to ensure global distribution and award-worthy prestige—the film is, first and foremost, a collaborative compendium of what partially defined the popular perception of its versatile director and its two leads, Sophia Loren and Marcello Mastroianni.The first short, “Adelina,” was written by Eduardo De Filippo and Isabella Quarantotti, the second, “Anna,” by Bella Billa, Lorenza Zanuso, and one of Italian neorealism’s founding fathers,
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Oscars 2017: How Asghar Farhadi Could Make History With a Second Win For Best Foreign Language

  • Scott Feinberg
The Salesman’ (Courtesy: Habib Majidi)

By: Carson Blackwelder

Managing Editor

It might not be everyone’s cup of tea, but we’re well on our way to seeing how the best foreign language film race will shape up at the Oscars in 2017. Leading the pack of the shortlist is The Salesman from Iran, which could land filmmaker Asghar Farhadi a rare second win in the category. How often do we see someone with more than one win in this worldwide competition?

The shortlist of nine films — more about those here — will, on January 24, be trimmed down to the official five nominees that will eventually face off at the Oscars on February 26. This site’s namesake, The Hollywood Reporter’s Scott Feinberg, lists the current frontrunners as: Germany’s Toni Erdmann (written and directed by Maren Ade), Denmark’s Land of Mine (written and directed by Martin Zandvliet), Sweden’s A
See full article at Scott Feinberg »

Close-Up on "General Della Rovere": Rossellini Returns to War

  • MUBI
Close-Up is a column that spotlights films now playing on Mubi. Mubi is playing General Della Rovere (1959) in the United States September 1 - 30, 2016.For a time, it seemed Roberto Rossellini was ready to leave behind the devastation of World War II, a milieu he as much as anyone helped to indelibly commit to cinematic memory with his Neorealist masterworks. While a traumatized psyche remained in films that followed his trilogy of Rome, Open City (1945), Paisan (1946), and Germany Year Zero (1948), it was revealed via a more subtle manifestation of conflict related angst. Rossellini had moved beyond explicit depictions of the war and its aftermath, even while lingering psychological effects still abound (see his collaborations with Ingrid Bergman). This would change in 1959, with the release of General Della Rovere, Rossellini's first full-fledged wartime film in more than 10 years. While not of the caliber of these earlier titles (not really even in
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Tom Hanks to receive Rome fest honour

  • ScreenDaily
Tom Hanks to receive Rome fest honour
Oscar-winner Meryl Streep to also attend this year’s festival.

Oscar-winning actor Tom Tanks is to attend the 11th Rome Film Fesival (Oct 13-26), where he will receive the festival’s lifetime achievement award.

The star of Saving Private Ryan, Forrest Gump and last year’s Bridge of Spies will also be the subject of a 15-strong retrospective, including Hanks’ work as a director on That Thing You Do! (1996) and Larry Crowne (2011).

“I consider Tom Hanks to be one of the greatest actors of all time,” said the festival’s artistic director Antonio Monda.

“His extraordinary talent and profound humanity make him a classic but always contemporary actor: his films and his performances will never be dated.”

Fellow Oscar-winner Meryl Streep is also set to attend the festival where she will talk about the great Italian actresses who influenced her, including Silvana Mangano.

In addition, screenwriter and director David Mamet (Glengarry Glen Ross) will be the subject
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Whit Stillman’s Top 10 Films

“It kind of freed me from a lot of criticisms people have from my other films,” Whit Stillman told us at Sundance earlier this year, speaking about adapting Jane Austen‘s epistolary novel Lady Susan, which became Love & Friendship. “Things can work really well and not be entirely realistic and often they can be better than realism. We love the old James Bond films. They weren’t realistic, but they’re delightful. And the great 30s films. The Awful Truth with Cary Grant and Irene Dunne. It’s not realistic; it’s just perfect.”

To celebrate Stillman’s latest feature becoming his most successful yet at the box office, we’re highlighting his 10 favorite films, from a ballot submitted for the most recent Sight & Sound poll. Along with the aforementioned Leo McCarey classic, he includes romantic touchstones from Preston Sturges, Ernst Lubitsh, and François Truffaut. As for his favorite Alfred Hitchcock, he fittingly picks perhaps one of the best scripts he directed, and one not mentioned often enough.

We’ve covered many directors’ favorites, but this is one that perhaps best reflects the style and tone of an artist’s filmography. Check it out below, followed by our discussion of his latest film, if you missed it.

The Awful Truth (Leo McCarey)

Big Deal on Madonna Street (Mario Monicelli)

The Gay Divorcee (Mark Sandrich)

Howards End (James Ivory)

Miracle of Morgan’s Creek (Preston Sturges)

The Shop Around the Corner (Ernst Lubitsch)

Stolen Kisses (François Truffaut)

Stranger than Paradise (Jim Jarmusch)

Strangers on a Train (Alfred Hitchcock)

Wagon Master (John Ford)

See more directors’ favorite films.
See full article at The Film Stage »

Movie Poster of the Week: Anna Magnani in Movie Posters

  • MUBI
Above: French grande for Volcano (William Dierterle, Italy, 1950). A few weeks ago, I featured the posters of Anna Karina; now it’s the turn of that other legendary Anna... La Magnani or “La Lupa”, the she-wolf, as she was known. Magnani is currently being fêted at Lincoln Center in an all-celluloid retrospective showing 24 of her films that runs through June 1 before traveling to Chicago, San Francisco, Houston and Columbus.Magnani became a star with her powerhouse performance in Rossellini’s Rome, Open City in 1945, and the indelible image of her chasing down the Nazi soldiers who have taken her resistance-hero husband, is one that seems to have informed her persona throughout her career. No sex-kitten, Magnani was the personification of the great actress, and in her posters she is almost always emoting. She is rarely shown smiling (look at her scowling at Ingrid Bergman—in real life she had good
See full article at MUBI »

'Sparrows' wins in Sao Paulo

  • ScreenDaily
'Sparrows' wins in Sao Paulo
Other winners at Brazilian festival include An, Pixadores, The Violin Teacher, Wrestlers.

Runar Runarsson’s Sparrows took the jury prize for best fiction at the São Paulo International Film Festival, which ended Nov 4. It also won the best screenplay prize for its writer/director Runarsson.

Sao Paulo’s New Directors Competition is for first and second features (Sparrows is Runarsson’s second after Volcano.)

Sparrows, an Iceland-Denmark-Croatia co-production, is about an Icelandic teenage boy who has to leave Reykjavik to go back to live in his remote hometown with his estranged father.

Sparrows premiered in Toronto and also won the Golden Shell in San Sebastian.

The jury gave an honorable mention to Jacek Lusinksi’s Polish feature Carte Blanche.

The audience award for best foreign fiction went to Japanese auteur Naomi Kawase’s An and for best foreign documentary to Amir Escandari’s Pixadores (Finland, Denmark, Sweden).

Audience awards for Brazilian films went to Sergio Machado’s The Violin
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Venice Classics to include 21 restorations

  • ScreenDaily
Akahige, Amarcord, Aleksandr Nevskij among Venice Classics titles; Bertrand Tavernier selects four films.

Akahige, Amarcord, Aleksandr Nevskij and A Matter of Life and Death are among 21 titles announced today to screen in Venice’s (September 2-12) Classics section, which will reveal further titles later this month.

Director Bertrand Tavernier, who is to receive the Golden Lion for Lifetime Achievement award, has selected and will present four films for the Classics strand: Pattes Blances (White Paws) by Jean Grémillion, La Lupa (The Vixen) by Alberto Lattuada, Sonnenstrahl (Ray of Sunshine) by Pál Fejös and A Matter of Life and Death by Michael Powell and Eric Pressburger.

The 21 restorations:

Akahige (Red Beard) by Akira Kurosawa (Japan, 1965, 185’, B&W), restoration by Tōhō Co., Ltd.

Aleksandr Nevskij (Alexander Nevsky) by Sergej Michajlovič Ėjzenštejn (Ussr, 1938, 108’, B&W), restoration by Mosfilm

Amarcord by Federico Fellini (Italy, 1973, 123’, Color) restoration by Cineteca di Bologna with the support of and the
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Samba in New York by Anne-Katrin Titze

Olivier Nakache and Eric Toledano's Samba, stars Omar Sy, Tahar Rahim (Grand Central) and Charlotte Gainsbourg Photo: Anne-Katrin Titze

At The Paris Theatre, the greats of the past - Ernst Lubitsch, Billy Wilder, Charlie Chaplin and Frank Capra - and Italy's recent past - Dino Risi, Ettore Scola and Mario Monicelli - blended with Ken Loach, Michel Gondry and Woody Allen as Samba co-director Olivier Nakache and Omar Sy spoke with me on the red carpet. Sy also starred in Nakache and Eric Toledano's The Intouchables. Omar Sy will soon be seen in John Wells' (of August: Osage County fame) Adam Jones with Bradley Cooper and Alicia Vikander and is filming Ron Howard's Inferno with Tom Hanks, Ben Foster and Felicity Jones.

Samba co-director Olivier Nakache: "We like to discover something about society, but with humor." Photo: Anne-Katrin Titze

Omar's wife, Hélène Sy, was joined by guests Michael Avedon,
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Monicelli’s Dance of Love

During a directorial career that spanned more than six decades, Viareggio-born Mario Monicelli, who would be 100 years old this week, was renowned as one of the masters of Italian comedy. Although he had been making films for many years before, his fiercely acerbic humor first came to international prominence in the late 1950s with pictures such as the heist film pastiche Big Deal on Madonna Street (1958) and Wwi satire The Great War (1959). In this video essay, I focus on the theme of frustrated desire in two Monicelli films from the 1960s: Renzo and Luciana, his contribution to the 1962 anthology film Boccaccio ’70, and the Marcello Mastroianni vehicle Casanova ’70 (1965). >> - Pasquale Iannone
See full article at Keyframe »

The Passionate Thief (1960) | Review

  • ioncinema
Miracolo!: Monicelli’s Exuberant, Digitally Restored Classic

There hasn’t been a performer that’s come close to equaling the vibrant energy of Italian actress Anna Magnani, that furious powerhouse that graced some of the best works of Rossellini, Visconti, Pasolini, and Renoir and swept her way through English language cinema, winning an Oscar for 1955’s The Rose Tattoo. It’s with great pleasure to discover that Mario Monicelli’s forgotten classic The Passionate Thief was digitally restored last year, playing at the 2014 Telluride Film Festival before being treated to a limited theatrical run this Spring at select theaters. Starring Magnani with her frequent stage collaborator, famed comedian Toto, and a nubile Ben Gazzara, the trio wanders through Rome’s streets one lackluster New Year’s Eve as they stumble through a series of escapades.

Based on short stories by famed author Alberto Moravia (The Conformist; Two Women; Contempt
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Monicelli Revisited, Part One: Empathy and Sin

  • MUBI
Anna Magnani in a publicity photo for The Passionate Thief.One thing cinephiles learn fast is just how easy it is, thanks to the limits and whims of distribution, for celebrated films to fade into the background outside their homeland. So one way to begin with Italian director Mario Monicelli is how overshadowed he is today on the world stage. You could say, only half-ironically, that he'd be more famous if only more people had heard of him, or if his global reputation kept up with the one he holds in Italy. Monicelli began filmmaking in the 1930s, was a prolific screenwriter in the 40s, took off as a director in the 50s, and continued making movies without much pause until his death in 2010. In his heyday as a hitmaker, he worked with stars like Anna Magnani, Marcello Mastroianni, Totò, Claudia Cardinale, and Monica Vitti. He once shared a Golden
See full article at MUBI »

Donovan To Stroll Down Berlin Red Carpet For Docu On Rome Restaurant That Nurtured A Cinematic Era

Donovan To Stroll Down Berlin Red Carpet For Docu On Rome Restaurant That Nurtured A Cinematic Era
Donovan, the legendary folk pop troubadour, will be traipsing down the Berlin Film Festval’s red carpet tonight to celebrate his love for Italian movies and its ties to Otello, a Rome restaurant that fed the bodies and souls of some of Cinema Italiano’s top talents for decades.

Donovan, who is bringing his guitar, is at the Berlinale for the first time with “Il segreto di Otello” (Otello’s Secret), a documentary by Francesco Ranieri Martinotti about Otello alla Concordia, the unpretentious eatery near the Spanish steps where Dolce Vita people hung out, even after that era was over, and plenty of pics by Italo maestros — including Federico Fellini, Mario Monicelli, and Ettore Scola — were conceived. “Otello” screens in Berlin’s Culinary Cinema section.

“It’s an amazing restaurant where the very struggling young great filmmakers and actors of Italy would be given a free meal, once a week,
See full article at Variety - Film News »

Movie Poster of the Week: “Lancelot du Lac” and the Film Posters of Raymond Savignac

  • MUBI
Above: Lancelot du Lac (Robert Bresson, France, 1974).

One of France’s most beloved and recognizable poster designers, Raymond Savignac (1907-2002) created some 600 posters over a 50 year career, working almost exclusively in advertising. His simple, whimsical, colorful designs, reminiscent of children’s book illustrations, famously promoted Dunlop, Bic, Perrier, Air France, Cinzano and many other companies with an ineffable charm and wit. As far as I can tell, he designed only ten movie posters during his career, all of which I have gathered here. Five of them were created for the director Yves Robert (best known for The Tall Blond Man with One Black Shoe, the poster for which was designed by Savignac’s friend and peer Hervé Moran) and three for the later films of Robert Bresson. In fact one of Savignac’s final works was for a retrospective of Bresson in 2000.

A protegé of the great designer A.M.
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Italian Actress Virna Lisi Dies At 78

Italian Actress Virna Lisi Dies At 78
Rome – Italian actress Virna Lisi who played memorable roles in European and Hollywood films including 1965 comedy classic “How To Murder Your Wife,” with Jack Lemmon, in which she famously pops out of wedding cake wearing a bikini, and also a masterfully maleficent queen in Patrice Chereau’s “La Reine Margot,” died in Rome on Thursday. She was 78.

Lisi had been recently diagnosed with an unspecified form of cancer, according to Italian press reports.

Born in Ancona 1936 as Virna Pieralisi, she began her film career as a teenager in 1953, initially thanks to her stunning looks. Her increasingly important parts in Italian postwar pics include 1957 drama “La Donna Del Giorno,” 1963 crimer “Il Delitto” Dupre, with Alain Delon, and Mario Monicelli’s 1965 Italo comedy classic “Casanova ’70’,” in which she co-starred with Marcello Mastroianni.

In 1965 Lisi was put under contract by Paramount. She debuted in Hollywood as a blue-eyed temptress opposite Jack Lemmon in
See full article at Variety - Film News »

1960's The Passionate Thief, a Prototypical 'One Crazy Night' Adventure

1960's The Passionate Thief, a Prototypical 'One Crazy Night' Adventure
On the surface, Mario Monicelli's 1960 comedy The Passionate Thief bears similarities to contemporary entries in the one-crazy-night genre. There is a limited-timeframe narrative (one night), a uniting event (New Year's Eve), an episodic structure, and, naturally, lovelorn characters looking to make a connection. Yet what separates The Passionate Thief from its descendants is the sympathy it brings to its central characters, Tortorella (Anna Magnani), a movie extra, and Lello (Ben Gazzara), a thief. Through a circuitous turn of events, Tortorella is ditched by her friends on New Year's Eve in Rome, which means she'll spend the evening with a backup, her old friend Umberto (Totò), an actor and sometime con artist. The problem is, Umberto — unb...
See full article at Village Voice »

Daily | Kinski, Monicelli, Barnard

  • Keyframe
In today's roundup of news and views: Genevieve Yue on the importance of the academy to experimental film, Steve Presence on the Radical Film Network, Slant on Frank Capra's It Happened One Night, Bernardo Bertolucci's The Conformist and Michelangelo Antonioni's L'Avventura (1960), The Dissolve on Hayao Miyazaki's Spirited Away, Nastassja Kinksi and Mario Monicelli in New York and early word on forthcoming work from Clio Barnard and Ulrich Seidl. Plus, while Reese Witherspoon and Nicole Kidman head to television, Paul Schrader's planning a ten-episode Web series. » - David Hudson
See full article at Keyframe »
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