Off The Cliff: How the Making of Thelma & Louise Drove Hollywood to the Edge, by Becky Aikman, chronicles how Jodie Foster and Michelle Pfeiffer were slated for the lead roles, but had to turn them down after production was delayed. Once the news was out, Hollywood’s top actresses jockeyed for the plum roles.
“It seemed as if every agent who represented anyone with a vagina and a pulse besieged Pathé and Ridley company for a shot,
Blu-ray + DVD
1972 / Color / 1:85 widescreen / 87 min. / aka Raw Meat / Street Date June 27, 2017 / 39.98
Starring: Donald Pleasence, Norman Rossington, David Ladd, Sharon Gurney, Hugh Armstrong, June Turner, Christopher Lee.
Cinematography: Alex Thomson
Art Direction: Dennis Gordon-Orr
Film Editor: Geoffrey Foot
Original Music: Jeremy Rose, Malone Wil
Written by Ceri Jones from a story by Gary Sherman
Produced by Paul Maslansky
Directed by Gary Sherman
In 1972, making a horror film was a safe way to start a career: almost anything screen-able could get a release, and if your show had enough shock value, it might even get positive critical attention.
The Death Line 2K restoration is currently scheduled to screen in five locations this summer, with four of the screenings including a live Q&A with director Gary Sherman. We have the official theatrical tour dates that have been announced thus far, and you can get a tease of what to expect from the Collector's Edition Blu-ray / DVD combo pack in the new promo video below.
Scheduled theatrical screenings for the Death Line 2K restoration:
"6/02: Coolidge Corner Theatre w/Director Gary Sherman Q&A (Brookline, Ma)
6/20: Nitehawk Cinema w/Director Gary Sherman Q&A (Brooklyn,
Directed by George Lucas.
Starring Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing and Alec Guinness.
A long time ago, in a galaxy far, far away… young farm boy Luke Skywalker becomes embroiled in a civil war between the heroic Rebellion and evil Galactic Empire. Setting off from his home-world, Luke must rescue a captured princess and learn the ways of the Force from Jedi Master Obi-Wan Kenobi if he is to aid the Rebellion in destroying the Empire’s ultimate weapon, the Death Star.
During the production of his debut movie Thx-1138 (1971), young director George Lucas had expressed considerable interested in adapting the adventures of Flash Gordon for the big screen but, after being unable to acquire the rights to the character, Lucas soon set about developing his own space adventure reminiscent of the science-fiction movie serials he had watched as a child.
Since Disney bought LucasFilm in 2012, excitement around May 4 has been tied to new additions to the Star Wars universe. (This is the third consecutive year that a new film in the franchise has been released.) But there is an even more festive reason to hug the nearest Wookie this “Star Wars Day,” aka “May the Fourth:” the fast approaching 40th anniversary of Star Wars: Episode IV - A New Hope.
Last month, at the 2017 Star Wars Celebration, George Lucas dropped by the commemoration to discuss Episode IV, as well as pay tribute to the passing of our princess general, Carrie Fisher. In his reflection on the movie, Lucas summarized his original intention for the now-iconic film.
More: First Trailer for 'Star Wars - The Last Jedi' Is Here!
“The idea was simply to do the high-adventure film that I loved when I was a kid with meaningful psychological themes,” said [link=tt
During the movie production process, it is not uncommon for a film to undergo several major changes in concept before becoming fully realized. The Alien franchise is one franchise that has seen its fair share of changes along the way. However, it is also unique due to the shear volume of potential films that have hit the drawing board but never progressed. Part of the reason for this is due to the fact that the Alien franchise has run into many different problems along the way. For one, it is a rare franchise with a multitude of different filmmakers and producers involved
Blue Underground will release their Collector's Edition Blu-ray / DVD of Death Line on June 27th with an audio commentary, interviews, and a collectable booklet.
From Blue Underground: "When a prominent politician and a beautiful young woman vanish inside a London subway station, Scotland Yard’s Inspector Calhoun (Donald Pleasence of Halloween) investigates and makes a horrifying discovery. Not only did a group of 19th century tunnel workers survive a cave-in, but they lived for years in a secret underground enclave by consuming the flesh of their own dead. Now the lone descendant of this grisly tribe has surfaced, prowling the streets for fresh victims…
Director Mick Jackson on Denial, Donald Trump, directing films, and how he followed The Bodyguard...
Mick Jackson has lived through several chapters of his directorial career. His background was television, in particular the stunning Threads, and his classy adaptation of Chris Mullins’ A Very British Coup. Then he went to Hollywood, directing the likes of L.A. Story, The Bodyguard and Volcano.
He’s been away from cinema for a while, courtesy of some intriguing television projects. But he returns to the big screen this weekend with Denial, a classy courtroom drama that brings the story of Holocaust denier David Irving’s infamous libel action to the cinema. We snagged a chat with him ahead of its release, with the promise of further conversation about his 90s output at a later date too.
Can you talk us through this particular film, and why you wanted to bring it to the big screen?
That alone ensures him a place in Hollywood history. But his career also includes a third sci-fi classic — “Blade Runner” — as well as “The Omen,” “Young Frankenstein,” “Braveheart,” “Chariots of Fire,” and other cinema biggies through 2007’s “Gone Baby Gone.”
The executive is now the subject of a documentary, “It’s Always About the Story: Conversations With Alan Ladd Jr.,” which screens Aug. 13 at the Marina del Rey Festival before it continues on the festival circuit. The doc is one of four films (so far) in the Film History Preservation Project. It’s the brainchild of director-producer Stanley Isaacs, who is planning more such docs, to bring wider recognition to Hollywood’s unsung heroes: film producers.
Film buffs know stars and directors, but rarely know producers or executives like Ladd,
The film celebrates its 40th anniversary this week. It opened Sept. 26, 1975, advertised with the iconic poster of a lipsticked mouth with the tagline “A different set of jaws” — a reference to Steven Spielberg’s shark movie, which had opened three months earlier.
Execs at 20th Century Fox knew they had an unusual film which would require a different approach to marketing. Before the film’s U.S. premiere at Los Angeles’ UA Westwood theater, Fox hired a promotion company to distribute flyers to people in line at other films, concerts and clubs, at beaches “and other spots where youth gathers,” said a Daily Variety story at the time. The company handed out 100,000 flyers in the eight weeks before the film opened, which included postage-paid envelopes
Canadian Secretary of State John Roberts (who also was the minister of culture) had invited Hollywood execs to attend the first fest and talk about possible joint ventures with local filmmakers. Fest director Bill Marshall said the seven Hollywood studio chiefs assured him they would attend, but then ignored the event. So the fest featured a “panel session” with seven empty chairs on the stage and name tags indicated the missing septet: David Picker (Paramount), Ron Miller (Disney), David Begelman (Columbia), Frank Wells (Warner Bros.) Ned Tannen (Universal), Alan Ladd Jr. (Fox) and Mike Medavoy (United Artists).
“I am amazed at their combination of arrogance and stupidity,” Marshall told the audience who showed up.
The studios shrugged it off, telling Toronto
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.