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Lumière Festival: Bertrand Tavernier Premieres 8-Part Series about French Cinema

Lumière Festival: Bertrand Tavernier Premieres 8-Part Series about French Cinema
Acclaimed French helmer Bertrand Tavernier (“Round Midnight”) will present his eight-part series on French cinema during the 9th Lumière Festival, covering the period between the 1930s and early 1970s.

The series, “My Journeys Through French Cinema,” is a follow-up project to his documentary “My Journey Through French Cinema” which had its world premiere at last year’s Sundance Film Festival, followed by screenings at Cannes Classics, Telluride, New York, San Sebastián and the Lumière Festival.

The project is inspired by Martin Scorsese’s “Personal Journey through American Movies” (1995) and “My Voyage to Italian Cinema” (1999).

Tavernier was born in 1941 in France’s third largest city, Lyon, the home of the inventors of cinema, the Lumière brothers.

Tavernier and Thierry Frémaux are the president and director of the Institut Lumière, which organizes the Lumière Festival – one of the only big international festivals of classic cinema.

The eight-part series includes two episodes on Tavernier’s favorite directors, an episode
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Rushes. New Trailers, Kyle MacLachlan, "Zama" Interview & Posters

  • MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.Recommended Viewinga completely charming trailer for Greta Gerwig's directorial debut Lady Bird.Following his Palme d'Or winner The Square (read our review from Cannes), Ruben Östlund's Berlinale award-winning short Incident By a Bank (2009)—which was featured on Mubi in 2010—has been made free to watch on Vimeo. Another beguiling cinematic experience, it is a single-shot recreation of a bank robbery which took place in Stockholm.Richard Linklater teams up with what looks to be an incredible ensemble as seen in the trailer for his latest, Last Flag Flying, set to premiere at the New York Film Festival this fall.Frederick Wiseman continues his exploration of American institutions with Ex Libris, which delves into The New York Public Library.Takashi Miike is back with his 100th film, Blade of the Immortal. (Read our
See full article at MUBI »

La Poison

La Poison



1951 / 1:33 / Street Date August 22, 2017

Starring: Michel Simon, Germaine Reuver

Cinematography: Jean Bachelet

Film Editor: Raymond Lamy

Written by Sacha Guitry

Produced by Jean Le Duc, Alain Poiré

Music: Louiguy

Directed by Sacha Guitry

One of the most insightful commentaries on Sacha Guitry’s La Poison can be found right there on the cover of Criterion’s beautiful new blu ray release, a typically “warts and all” portrait by Drew Freidman of the film’s stars, Michel Simon and Germaine Reuver. The film’s diabolic mix of humor and horror is illuminated by Freidman’s precise rendering of Simon’s sagging jowls, Reuver’s venomous stare and the dingy trappings of the cramped little kitchen that threatens to suffocate these damned souls before they can get around to killing each other.

Filmed in just eleven days in 1951 by the speedy Guitry, La Poison tells the story of
See full article at Trailers from Hell »

Criterion Collection: La poison (1951) | Blu-ray Review

  • ioncinema
Groucho Marx once drolly remarked, “Marriage is a wonderful institution, but who wants to live in an institution?” Such is the state of the cursed union at the center of Sacha Guitry’s 1951 dark comedy La Poison, an acid-tongued condemnation of a contract designed for until death do you part—which is the literal interpretation of the matter.

Continue reading...
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David Reviews Sacha Guitry’s La Poison [Criterion Blu-Ray Review]

  • CriterionCast
Watching Sacha Guitry’s Blu-ray debut in the Criterion Collection provokes a bittersweet sensation, on multiple levels. First and foremost, there’s the acerbic theme and humorous treachery of La Poison itself – a pitch-black comedy that wittily dissects the miseries inherent in a marriage of French peasant folk that endures far longer than either of the bedraggled spouses are capable of withstanding. As a man who happily celebrated my 33rd wedding anniversary over the past weekend, nevertheless, I’m more than familiar with the unique strains that can develop between two persons over the course of a few decades lived in close proximity to each other. Even though I’ve never approached the point of murderous intentions that afflict the couple at the heart of this story, the basic impulses that drove them to such desperate measures are well within my frame of reference. And all things considered, there’s
See full article at CriterionCast »

My Journey Through French Cinema: Personal Canon-Building with Bertrand Tavernier

Names you won’t hear in Bertrand Tavernier’s personal history of French cinema: Abel Gance, Marcel Pagnol, Sacha Guitry, Alain Resnais, Philippe Garrel. Don’t expect to hear about any directors who got started after the ’60s either: Tavernier begins with a solid overview of the glories of Jacques Becker, the first director to make an impression on him (“At age six, I could have chosen worse”) and ends with an equally lengthy tribute to Claude Sautet — along with Jean-Pierre Melville, one of his two professional fairy godmother gateways to the production side of French cinema. There is, to be sure, plenty of […]
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Marcel Pagnol’s The Marseille Trilogy

No longer out of reach, Marcel Pagnol’s stunning 3-feature saga of love and honor in a French seaport is one of the great movie experiences — and the most emotional workout this viewer has seen in years. The tradition of greatness in the French sound cinema began with gems like these, starring legendary actors that were sometimes billed only with their last names: Raimu, Charpin. Those two, Pierre Fresnay and Orane Demazis are simply unforgettable — it’s 6.5 hours of dramatic wonderment.

Marcel Pagnol’s The Marseille Trilogy

Marius * Fanny * César


The Criterion Collection 881-884

1931 – 1936 / B&W / 1:19 flat full frame, 1:19 flat full frame, 1:37 flat full frame / 127 * 127 * 141 min. / available through The Criterion Collection / Street Date June 20, 2017 / 79.96

Starring: Raimu, Pierre Fresnay, Orane Demazis, Fernand Charpin, Alida Rouffe, Paul Dullac, Robert Vattier, André Fouché.

Cinematography: Ted Pahle, Nicolas Toporkoff, Willy Faktorovitch

Original Music: ?, Vincent Scotto, Vincent Scotto

Written by Marcel Pagnol

Produced by Ted Pahle,
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Criterion Collection Announces August 2017 Additions, Including Restored ‘Sid & Nancy’ and Mike Leigh’s ‘Meantime’

  • Indiewire
Criterion Collection Announces August 2017 Additions, Including Restored ‘Sid & Nancy’ and Mike Leigh’s ‘Meantime’
Late summer is all about reflection over at The Criterion Collection, as the library is spending August offering up a handful of unsung classics and new look at some longtime favorites.

Michael Curitz’s “The Breaking Point,” a mostly overlooked Hemingway adaptation, starring John Garfield and Patricia Neal, will be available on Blu-ray for the first time, while Sacha Guitry’s “La poison” arrives on home video for the first time ever. Elsewhere, Mike Leigh’s revelatory “Meantime” is getting a 2K restoration, all the better to enjoy the early work of Tim Roth and Gary Oldman. That’s not all for Oldman fans, however, as Alex Cox’s “Sid & Nancy” hits the collection with a brand new 4K digital restoration. Finally, Walter Matthau stars in the charming comedy “Hopscotch,” also available on Blu-ray in a 2K digital restoration.

Below is the complete list of August additions, with descriptions provided by Criterion.
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The Best Opening Credit Sequences In Movie History — IndieWire Critics Survey

  • Indiewire
The Best Opening Credit Sequences In Movie History — IndieWire Critics Survey
Every week, IndieWire asks a select handful of film and TV critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)

This week’s question: Inspired by Baby Groot’s “Mr. Blue Sky” dance sequence at the beginning of “Guardians of the Galaxy Vol. 2,” what movie has the best opening credits sequence?

April Wolfe (@awolfeful), La Weekly

Hands down, it’s R.W. Fassbinder’s “The Marriage of Maria Braun.” I watch the opening sequence at least three times a year and show it to every filmmaker I can. I love any film that begins with a bang, and this one does quite literally: We open up on an explosion that rips out a hunk of brick wall, exposing a German couple in the middle of a rushed marriage ceremony.
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Nicolas Pariser on ‘The Great Game,’ Being 20, Activism

Paris — France’s 2015 Louis Delluc best first feature winner, Nicolas Pariser’s “The Great Game” begins, in apt anticipation, with a shot of a man stepping into an unlit hotel hallway. It then takes the spectator on a trip down the dark corridors of power as a once budding novelist and ex-radical-leftist meets – not by chance – a silken backroom grandee at France’s Ministry of the Interior, a combination of the FBI and Homeland Security. He enrolls him into a ploy to bring down the current minister by provoking him into absurdly repressive measures.

“The Great Game” makes seemingly clear reference to France’s Tarnac Affair where nine back-to-the-farm anarchists were arrested in an early-morning raid over anti-state terrorist claims in a case still rumbling through French courts (the charges of terrorism were dropped by a judge in August 2015).

A drama of ideas, expressed directly by characters – a relative rarity
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Cummings Pt.4: Career Peak with Tony Award Win, Acclaimed Mary Tyrone

Constance Cummings: Stage and film actress ca. early 1940s. Constance Cummings on stage: From Sacha Guitry to Clifford Odets (See previous post: “Constance Cummings: Flawless 'Blithe Spirit,' Supporter of Political Refugees.”) In the post-World War II years, Constance Cummings' stage reputation continued to grow on the English stage, in plays as diverse as: Stephen Powys (pseudonym for P.G. Wodehouse) and Guy Bolton's English-language adaptation of Sacha Guitry's Don't Listen, Ladies! (1948), with Cummings as one of shop clerk Denholm Elliott's mistresses (the other one was Betty Marsden). “Miss Cummings and Miss Marsden act as fetchingly as they look,” commented The Spectator. Rodney Ackland's Before the Party (1949), delivering “a superb performance of controlled hysteria” according to theater director and Michael Redgrave biographer Alan Strachan, writing for The Independent at the time of Cummings' death. Clifford Odets' Winter Journey / The Country Girl (1952), as
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Criterion Picks On Fandor: Eight French Films

  • CriterionCast
Each week, the fine folks at Fandor add a number of films to their Criterion Picks area, which will then be available to subscribers for the following twelve days. This week, the Criterion Picks focus on eight delightful French films.

Three decades of exceptional French cinema in the service of that most intoxicating, unpredictable and stubborn of muscles, to which laws of convention and commitment prove no barrier: the heart.

Don’t have a Fandor subscription? They offer a free trial membership.

Children of Paradise by Marcel Carne

Poetic realism reached sublime heights with Children Of Paradise, widely considered one of the greatest French films of all time. This nimble depiction of nineteenth-century Paris’s theatrical demimonde, filmed during World War II, follows a mysterious woman loved by four different men (all based on historical figures): an actor, a criminal, a count, and, most poignantly, a mime (Jean-Louis Barrault,
See full article at CriterionCast »

Olivier Assayas Gives Criterion His Top Movies

Olivier Assayas Gives Criterion His Top Movies
One of our favorite directors, Olivier Assayas ("Summer Hours," "Clouds of Sils Maria") has a predictably eclectic Top Ten List, detailed at Criterion, which is actually a much longer list than ten. He offers American entries from Steven Soderbergh, Richard Linklater, Michael Mann, Robert Altman, Wes Anderson and Noah Baumbach! Have you seen them all? I've never seen the director's cut of Michael Cimino's "Heaven's Gate," the TV cut of Ingmar Bergman's "Fanny and Alexander," Sacha Guitry's "Désiré" or "Judex" by Georges Franju. I will have to remedy that.  1. "The Leopard" (Luchino Visconti) 2. "Pickpocket" (Robert Bresson) (tie) "Andrei Rublev (Andrei Tarkovsky) (tie) "White Material" (Claire Denis) (tie) "A Christmas Tale" (Arnaud Desplechin) (tie) "Chungking Express" (Wong Kar-wai) (tie)  "Dazed and Confused"...
See full article at Thompson on Hollywood »

Remembering Cat People Star Simon on 10th Anniversary of Her Death (Fully Revised/Updated Part I)

Simone Simon: Remembering the 'Cat People' and 'La Bête Humaine' star (photo: Simone Simon 'Cat People' publicity) Pert, pretty, pouty, and fiery-tempered Simone Simon – who died at age 94 ten years ago, on Feb. 22, 2005 – is best known for her starring role in Jacques Tourneur's cult horror movie classic Cat People (1942). Those aware of the existence of film industries outside Hollywood will also remember Simon for her button-nosed femme fatale in Jean Renoir's French film noir La Bête Humaine (1938).[1] In fact, long before Brigitte Bardot, Annette Stroyberg, Mamie Van Doren, Tuesday Weld, Ann-Margret, and Barbarella's Jane Fonda became known as cinema's Sex Kittens, Simone Simon exuded feline charm – with a tad of puppy dog wistfulness – in a film career that spanned two continents and a quarter of a century. From the early '30s to the mid-'50s, she seduced men young and old on both
See full article at Alt Film Guide »

Quadrille and the Six-Year Itch

  • Keyframe
Quadrille is frequently viewed as one of Sacha Guitry’s more effervescent films—an accomplishment given the French director’s penchant for cinematic gossamery. But airiness doesn’t necessarily imply minor, even if the film itself is so diligent in making a subject like adultery a feathery matter. The film’s irreverent tone is not a trick, to get us to take it less seriously, but a considerate attempt on Guitry’s behalf to temper the seriousness of the subject, to reveal a more playful and bittersweet side to relationships.>> - Tina Hassannia
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La Bête Humaine and Cat People Actress Remembered Part 1 (Revised and Expanded Version)

'Cat People' 1942 actress Simone Simon Remembered: Starred in Jacques Tourneur's cult horror movie classic (photo: Simone Simon in 'Cat People') Pert, pouty, pretty Simone Simon is best remembered for her starring roles in Jacques Tourneur's cult horror movie Cat People (1942) and in Jean Renoir's French film noir La Bête Humaine (1938). Long before Brigitte Bardot, Mamie Van Doren, Ann-Margret, and (for a few years) Jane Fonda became known as cinema's Sex Kittens, Simone Simon exuded feline charm in a film career that spanned a quarter of a century. From the early '30s to the mid-'50s, she seduced men young and old on both sides of the Atlantic – at times, with fatal results. During that period, Simon was featured in nearly 40 movies in France, Italy, Germany, Britain, and Hollywood. Besides Jean Renoir, in her native country she worked for the likes of Jacqueline Audry
See full article at Alt Film Guide »

Il Cinema Ritrovato: Cinematic Treasures Lost and Found, Back on the Bigscreen

A large crowd queues impatiently outside the cinema and, when the doors open, rushes in. In an instant, every available seat is taken. Toward the back of the auditorium, a dispute breaks out between two passholders over who was there first. It’s a common enough sight at film festivals the world over: Sundance, Cannes, Telluride, Toronto. Only this time, we are in the serene college town of Bologna and the coveted premiere isn’t the latest work by a prize-winning auteur, but rather an early Hollywood sound film believed to have been unseen in nearly 70 years. The movie is called “Why Be Good?” (pictured above) and it was one of the hottest tickets you could come by at the 28th edition if Il Cinema Ritrovato (June 28-July 5), which screened the 1929 Vitaphone feature in a sterling new restoration.

One of the more than 100 feature films directed by the extremely industrious
See full article at Variety - Film News »

Screen Legend with Longest Film Star Career Turns 97 Today

Danielle Darrieux turns 97: Darrieux has probably enjoyed the longest film star career in history (photo: Danielle Darrieux in ‘La Ronde’) Screen legend Danielle Darrieux is turning 97 today, May 1, 2014. In all likelihood, the Bordeaux-born (1917) Darrieux has enjoyed the longest "movie star" career ever: eight decades, from Wilhelm Thiele’s Le Bal (1931) to Denys Granier-Deferre’s The Wedding Cake / Pièce montée (2010). (Mickey Rooney has had a longer film career — nearly nine decades — but mostly as a supporting player in minor roles.) Absurdly, despite a prestigious career consisting of more than 100 movie roles, Danielle Darrieux — delightful in Club de femmes, superb in The Earrings of Madame De…, alternately hilarious and heartbreaking in 8 Women — has never won an Honorary Oscar. But then again, very few women have. At least, the French Academy did award her an Honorary César back in 1985; additionally, in 2002 Darrieux and her fellow 8 Women / 8 femmes co-stars shared Best Actress honors
See full article at Alt Film Guide »

Otto Sander obituary

Versatile actor at Berlin's Schaubühne theatre who made films with Wim Wenders and Eric Rohmer

The German actor Otto Sander, who has died aged 72 after suffering from cancer, made his name as one of the members of Peter Stein's Schaubühne theatre in Berlin, where he developed a versatile but precise stage presence that he brought to all kinds of roles. Sander also had more than 100 credits in film and TV productions, most notably Wolfgang Petersen's Das Boot (The Boat, 1981), as a drunk and disillusioned U-boat captain, and Der Himmel über Berlin (Wings of Desire, 1987), as one of the two angels in Wim Wenders's magical survey of the divided city.

Born in Hanover, Sander grew up in Kassel, where he graduated from the Friederichsgymnasium in 1961. He did his military service as a naval reserve officer. In 1965, in his first engagement at the Düsseldorf Kammerspiele, he showed a natural
See full article at The Guardian - Film News »
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